The Difference Between Action and Narrative Tension

You've already heard that you need to pay attention to the reader's attention through a compelling first page, but I often meet writers who are not nervous, starting with their novels in action. The difference is subtle, but it may be very realistic. It creates tension when the reader notices that a character is dealing with a particular related problem. And contextless actions are not very fun on their own.

Attracting sports, however, it is not guaranteed that the tension of the story will arise just because you started a novel through the battle of the knife, battle, fighting and even hot discussion. Story tension arises from people dealing with related issues, as well as dramatic internal and external conflicts that govern their actions and decisions. These internal and external conflicts and how they change their roles during the event will be the backbone of a compelling popular novel.

When I compiled science fiction and fantasy manuscripts, some of what I did pointed out that the author may think that there is a narrative tension in the story, but I have noticed these I do not know about people 's bet. What does your character want? What is the specific problem you face inside and outside? How will their history and perspective give information on their decisions and shape how they see the world? Most manuscripts need to clarify these problems, and I often see opportunities for materials that are not considered by authors.

Action is not enough for your novel to truly draw attention of the reader. The reader has to do with your personality question and you need to feel that your role eventually resolves their problem. These characters may be a very rough journey, they may feel incompetent or passive, although those conflicts are part of what we read, but really cute and convincing characters Consistent as they try clear and powerful solutions Problems

Peter Senge said that if theoretical exposure (I adore) is different from the theory of behavior (I actually do), real tension will be born. This tension is not a problem; as long as it admits that learning can take place, an effective combination of exposed theory and behavioral theory can be achieved. In his book "The Fifth Discipline", Peter Senge is the father of systematic thinking and he said that tension is an opportunity to learn. How does a team of ten or more people focus on the estimated user log of the user story for 6 consecutive weeks? At the same time, the project management office, project leader, CxO staff, and other coordinators spent half the time to decide how they should look in the future when estimating.

You've already heard that you need to pay attention to the reader's attention through a compelling first page, but I often meet writers who are not nervous, starting with their novels in action. The difference is subtle, but it may be very realistic. When the reader notices that the character is solving a particular related problem, it creates tension, and contextless action is not very interesting on its own. Attracting sports, however, it is not guaranteed that the tension of the story will arise just because you started a novel through the battle of the knife, battle, fighting and even hot discussion. Story tension arises from people dealing with related issues, as well as dramatic internal and external conflicts that govern their actions and decisions. These internal and external conflicts and how they change their roles during the event will be the backbone of a compelling popular novel.