The Dichotomy of Photojournalism in the Afghanistan War

Many people believe that news is important for maintaining democracy and internal confidence in people. The masses rely on news and media to narrow the gap between current events and the masses and encourage immediate attention. The use of wartime photojournalism has been created to create alternative experiences for degeneration, so they may experience some conflict without being there. However, I realized that there is a problem with the way the media suggests.

Strictly, the Crimean War (1853-1856) was the birthplace of photojournalism. The previous war, the Mexican American war (1846 - 1847) and the second Anglo - sic war (1848 - 1849) are recorded in the photograph, but it is said that the purpose is not photojournalism ing. In the coming years, armed conflict will become more widely covered by photography and photojournalism will expand exponentially to cover several different aspects of life. The development of compact cameras over the years, especially the 35 mm Leica in 1923 will make photojournalism more tough, original and intimate.

However, in the era of World War II, life was probably the world's most influential news photography magazine. During wartime, the most impressive image of the conflict is from the newspaper, not the famous weekly news photography magazine today. From the 1950s to the 1960s, we must say that not all photojournalists used 35 seconds, but war and violent dramas can be captured with a small high speed 35mm camera . Many people use large handheld cameras made with Graflex cameras. Two of them became legendary: Speed ​​Graphics, and later Crown Graphics. When you see an old photographer's movie crowded around a celebrity you will think about these cameras, usually letting a photographer smoke a cigar, and "on top of his fedora hat" Please give me a press card. These cameras use film. In other words, you need to slide the bracket to the back of the camera for every exposure.