The Development of Photography and Film

Art critic Robert Hughes said, "People carve their history, beliefs, attitudes, desires, and dreams into their images." Discussion about fuses, photos and movie media It is not difficult to deal with and understand this belief. You can change the image to a place you have never seen before, or you want to return, regardless of whether it is stationary or moving. Thanks to photographic and film media, images have been widespread to viewers for centuries, and they have undergone many changes and developments together.

The invention of the French Rumie brothers cinematography law was widely regarded as the birth of a movie, but some development of photography preceded the appearance of the movie. Among the pioneering research on animation equipment is Joseph Plateau, a professor of experimental physics at Belgium. In 1836, the plateau that was active at Ghent University invented the early strobe device, "Fenakistoscope". It consists of two disks. One has a small equidistant radial window that the observer can see and the other has a series of images. As the two disks rotate at the correct speed, the synchronization between the window and the image is animated. The projection of the stroboscopic photograph produced the illusion of movement, which ultimately led to the development of the movie.

With the development of pictures, videos and movies have also expanded and are beginning to change. Pictures are the only way to stop time and photographs are the moments to shoot forever. Such a freeze frame can now come from several sources. Pictures will begin to be drawn from existing videos - video. Because DVDs and VHS can pause the live TV and create a freeze frame, anyone can do this - a timely capture moment. Since the image is no longer a real event, this has changed the pictures, they are chosen from the way the events were interpreted. Newspapers and news channels no longer use photographers to take perfect pictures, and now they use video to select images from video. Secondary realism