The Development of Harmony from Schumann through Brahms to Debussy

In harmonious development from Schumann to Brahms, Debussy in the study of three composers, Schumann, Brahms, Debussy, from the early 1800's, it is possible to establish harmonious development of time through analysis. By the early 1900s. I infer each harmonic timeline separately from each composer and then conclude by comparing how different harmonic elements evolve romantic movements and their progress. Harmony tour begins with Schumann's Kindersen and childhood scenes.

Clara Schumann's explanation in my big Brahms book is very consistent. She is serious, depressed, truly happy when playing the piano, often crying when she does not play the piano. When Brahms was just 20 years old (a very hot age), Brahms met her through Robert, and when her husband was in shelter, the two men were indivisible in about two years. They may not make their relationship perfect, but she wrote several letters to him. In addition, the Franz list quotes short and wonderful quotes in this book. He once wrote the words of Clara, "A sacred and faithful and rigorous shrine maiden, his eyes were seeing sorrow. Eye "" Obviously, I love her.

In 1853, Brahms met Schumann and his wife Clara. Schuman knew everything about the enthusiasm of a young composer. Schumann wrote an article to praise Brahms and arranged to publish Brahms' first work. In 1854, Brahms wrote the first piano trio, the theme variation of Schumann piano, and the ballad of the piano. In the same year, when Schuman failed and attempted suicide, Brahms was summoned to Dusseldorf, Germany. In the coming years, Brahms got closer

In September 1853, Brahms showed up at their house, Schumann received him and listened to his work with great interest. That night, Schumann wrote in his dairy: "From Brahms, a genius." Schumann saw the musician 's Messiah in Brahms with an article he published in the magazine NeueZeitschriftfürMusik. This is stated in the article. Brahms who knows nothing about this discovered this essay and accepted it somewhat contradictory. On the one hand, it did not deny his career, but on the other hand it is a cause of great stress when Brahms is not necessarily prepared for this type of publicity. In addition, despite the positive expectation for the creation of this article, it also raised some questions in the music industry. Schumann's expectations about young musicians in the past are definitely mistaken. Nevertheless, with the help of Schumann, by the end of 1853, Breitkopf & Härtels published six Brahms works.