The designer's guide to the Golden Ratio

A common mathematical measure that can be used to create a pleasant natural look for your design is found in nature. It is also known as golden section, golden section or greek letter, but we call it golden ratio. Whether you are an illustrator, an art director or a graphic designer, it is worth considering the golden ratio in any project.

In this article I will explain what it is and how to use it and point out some good resources for further stimulation and research.

It is closely related to the Fibonacci sequence (you may remember your school's math lesson and Dan Brown's novel "Da Vinci Code"), the golden ratio is the perfect symmetry between the two ratios Represents a relationship.

Ratio equal to about 1.1.61, you can use a golden rectangle to explain the golden ratio: a large rectangle consisting of a rectangle (side length equal to the shortest length of the rectangle) and a smaller Rectangle

If you remove this square from the rectangle, it will leave another smaller golden rectangle. This may last infinitely like Fibonacci numbers - it works in reverse. (Adding a square equal to the length of the longest side of the rectangle gradually approaches the golden rectangle to golden ratio.)

The Golden Ratio is believed to have been used for human art and design for at least 4, 000 years. But it may be longer - some people think that ancient Egyptians used this principle to build a pyramid

In more contemporary times, the golden ratio can be observed with the music, art and design around you. By applying the same work method, you can bring the same design sensitivity to work. Let's look at some examples to motivate.

Ancient Greek buildings use the golden ratio to determine even the dimensional relationship between the width and height of the building, the size of the pouch, and the position of the pillar that supports the structure.

As a result, the building is perfectly balanced. The neoclassical building movement also reused these principles.

Like many other artists, Leonardo da Vinci uses the bulk of the money to create fun works.

In the last supper, the numbers are placed in the lower two thirds (the larger of the two parts of the golden ratio), and the position of Jesus is drawn perfectly by placing a gold rectangle on the canvas.

There are many examples of the golden ratio itself - you can observe it around. Flowers, seashells, pineapple and even hives show the same basic ratio in makeup.

According to Boussora and Mazouz, the initial study geometric analysis of Kailuan Grand Mosque in 2004 revealed a consistent application of the golden ratio throughout the design. They found that the ratio is close to the golden ratio, in terms of the overall proportion of the plan and the size of the place of prayer, the size of the court and the minaret. However, the authors point out that in the region where this ratio is close to the golden ratio it is not part of the original structure, and theoretically these elements are added during reconstruction.

A common mathematical measure that can be used to create a pleasant natural look for your design is found in nature. It is also known as golden section, golden section or greek letter, but we call it golden ratio. Whether you are an illustrator, an art director or a graphic designer, it is worth considering the golden ratio in any project. If you remove this square from the rectangle, it will leave another smaller golden rectangle. This may last infinitely like Fibonacci numbers - it works in reverse. (Adding a square equal to the length of the longest side of the rectangle gradually approaches the golden rectangle to golden ratio.)

A psychologist's study, starting with Gustav Fjinher, is designed to test the role of golden ratio in human perception of beauty. Fichner found a bias towards the rectangular ratio centered on the golden ratio, but attempts to carefully test this hypothesis were at most uncertain. If φ is valid, it is the ratio of the side of the integer to the side of the rectangle (the rectangle contains the whole graph). However, it can also be the ratio of the integer edges of the smaller rectangle (the far right part of the figure) obtained by deleting a square. The order of decreasing the length of one side of an integer formed by deleting a rectangle can not be expanded infinitely because there is a lower bound on the integer and so φ can not be reasonable.