The death of Our Lady Michelangelo Melissi was born in Italy's Caravaggio in 1573. When he grew up he was known for his place of birth, Caravaggio's name and artist. He may be the most revolutionary artist in his era, breaking the rules of past artists. Calvaggio spent his childhood in art, lived with a painter for four years, then moved to Rome as an assistant to another painter. About 1595, he began selling his paintings through dealers and pulled the cardinal's attention.
I hope that the work I learned from the Baroque era is "the death of Madonna" of Caravaggio created in 1605. This work is a canvas of size 12'1 "x 8'1 / 2". "Virgin's death" lives in the Louvre museum in Paris. I like this work as I like the Academy of Athens. I did not know much about this work, but my memory is declining. What the red color should represent is that the weather is death, a virgin and a god, I do not know well. Some of the things I think interesting in the text is that the virgin is actually a prostitute picture, which makes the church uneasy. But color is the most fascinating part of painting. This pathological emotion is captured in dark brown shades. I have read this article. This represents the Baroque era and is very accurate. Coincidentally, I do not think so.
Like Caravaggio's 1606 film "Our Lady of Our Lady", he interprets this provocative scene. In Our Lady of Our Lady, we chose a prostitute as this sacred model of Mary. The scene is that there is no precedent, and it was drawn in the evening. "Transformation of St. Paul" was because the subject of the picture was occupied by the back of the horse, but the clerics of Santa Maria noticed a conversation with Caravaggio and one of his critics. Want to ride in the middle, is Sao Paulo on the ground? "" So! "Is the horse God?"
Many medieval texts speak the story of the last day of the Virgin Mary. According to the popular gold legend, the apostles were miraculously brought to the house of the Lady when she died. They did the last ceremony and put her body in the tomb, but only three days later she was brought to heaven like Christ. In Parma Cathedral, when the master moves from the main entrance to the main altar under the main dome along the central aisle (nave), a virtual story develops. From the entrance, the ceiling of the nave blocking the view of the dome. Baptist of Patma Bible St John and Hillary, the patron saint of Palma, can only be seen with a triangular bow supporting the dome. St. John embraced the lamb and symbolized Christ, St. Hilary a single finger to the nave and another finger to the altar.