The Death of the Author

The concept of "writer's death" was proposed by French philosopher and literary theorist Roland Barthe in his thesis. He proposed a change in the way the "critic" should see the author's identity. Contrary to the way of classical criticism, he suggested that the focus should be on the reader's experience and interpretation, and he proposed the concept of "reader" and "writer" text. He did not pay attention to the intention of the author, the intent of the past to establish the text, and the unity of his or her intention, so when dedicated to the text in which the text was written,

The idea of ​​postmodernists Gommel specifically discussed is related to the concept of "writer's death". The idea is that the author and his or her view are ineffective in explaining their work. The author can provide his or her intention, but in fact, the discussion made by the text is explained by each reader. Many of these themes are in the wild text. Drawing a picture and Dorian, and the role of Lord Basil and Lord Henry Wharton in the text, and the role of these features in the subject are indicative of the complexity of the relationship between writer and art. In her article, Gomer proposed an interesting question about the ownership of the picture. This is because it is an emotional node in books. In this case, Basil is the author, Dorian is a model or inspiration, Lord Henry is an audience or critic.

Please briefly introduce the initial paper of each exercise. What is Michel Foucault's "What is a writer?" Is the post-structured reaction to the demolitionist "the death of the author" by Roland Barthez. Barthez insisted that the author was dead, he was dismantled, and Foucault tried to study the special and historical functions the author served. Barthes only reverses the dual opposition between the author and the reader and did not explore the inherent problem of force dynamics. Barthe did not show the author's function (even his own role as a reader). The author is dead and the reader lives long. Foucault accurately investigated the field that Bath ignored. As a post-structuralism critic, he sees the author's "function" as a place to explain place, political, historical and social roles. Foucault may point out that dismantling often works in an abstract vacuum

Facts about companions of American short story document, 2nd edition (literary series companion)

Roland Berthes, a prominent writer and architect believer, outlined his foundation of structuralism theory in his article "The Death of the Author". At this point in his career, Barthe is interested in the relationship between the writer and writing, which is reflected in his thesis entitled "The Death of the Author". Barthes divided his argument into two parts. The first is that the author exists before writing, thought, and suffering. Therefore, the author is always regarded as his literary child's father. Second, Bath believes that contemporary writers and texts are born at the same time. Therefore, each text is written here and now, not after the author's idea. For this purpose Barthes believes that when the author uses words as expression tools, the author can not accurately express his meaning.