The Death of the Auteur

"Death of The Auteur" 2 The concept of "author" originally derive from Latin authority. From the point of view of the theorists, the author's management of the text is limited only when thinking and scenario were originally authors. French literary theorist Roland Barthes believes that the role of the author is to give originality and meaning to the author's death. "Writing is the destruction of every sound, every voice is written in a neutral and complex inclined space where our subjects disappear and all identities begin with the identity of body lighting and disappear." Barthes 1466) Foundation f

Andrew Sarris created the word "auteur theory" to translate politician translators and was admired for being advertised in the media of the United States and Britain. I published a paper on 'Theory of Supervision' in 1962 movie culture magazine. He began applying his method to Hollywood movies and spread his thoughts in his book "American Film: Director and Direction" 1929-1968 (1968). The influence of Saris's work is that the main attention and general attention of each movie do not give much attention to the star and attract more attention to the whole product.

In quotes - "Hitchcock", "Ford", "Eagle" - Hitchcock, Ford and Eagle nomenclature to use structure or retrospective important structure to distinguish creative characters from real people Director codes named for them. Therefore, the director is like an unconscious catalyst to transcend consciously controlled elements and influences. In France's political and theoretically passionate culture since 1968, Cayé himself is changing rapidly, and at this stage of the development of the director theory, Cayer's editor is a collective article "John · Ford's Young Lincoln "was created in August 1970, Kayer. This article compares the movie in its repressive and contradictory form. Among them, director and director John Ford are definitely unable to be regarded as a unified, conscious source of information. The influence of AuteURISM on the development of film research

In 1951, André Bazin, Jacques Doniol - Valcroze, Joseph - Marie Lo Duca launched CahiersduCinéma (movie notes) influential movie magazine in France. CahiersduCinéma was originally a declaration of "la politique des Auteurs" (philosophy of writers / methodology (in this case, movie "writer")), which developed into the supervisory theory we know today. In the origin of the magazine, these theories led to the reevaluation of Hollywood films and directors such as Alfred Hitchcock, Howard Hawks, Robert Aldridge, Nicholas Lei and Fritz Lang. The authors of Cahiers du Cinema also support the directors Jean Renoir, Roberto Rossellini, Kenji Mizoguchi, MaxOphüls, Jean Cocteau's works and summarize their important evaluations in a single movie.