The Darkness of Edwin A. Abbott's Flatland

The dark and golden sand on the flat is shining in bright sunlight. The beam of radiation strikes a gentle wave and enlarges radiance shine. The content and pleasure is over, many birds fly high. On the beach, an annoying crab approached the ostrich and forced the grounded bird to bury the head in a sand hole. This huge bird is huge compared to aggressive crabs, but I fear his head fearing on a cold wet beach and hopefully weak but an evil attacker will leave.

In 1884, Edwin Abbot Abbott wrote a book about his novel "Hirano: Multidimensional Romance", a life in a two dimensional world called Flatland. Discover the story of Square and other dimensions, Pointland, Rhineland and Space Land. Flatland is a famous area of ​​square, Space land is home of his god and dwelling. Dimensions can be used both as the subject of text and as metaphor of social class. In either case, letters in the dimension can be considered vaguely as levels. Abbott's story provides a unique and highly suitable shot where you can see the Hebrew Bible Tower. In this article I assert that the Bible Tower can be seen as an element of the space of a flat place where human characters live and act. These towers built by these people instantly pursue a three dimensional dream, but often collapses to a point on a two dimensional map.

In 1884, English Pastor, Educator, and Shakespearean scholar Edwin Abbott announced "Plain: Multidimensional Romance". In the science of science and mathematics novels, we offered and explored an interesting mental perspective Nested complexity This story is a metaphor of human perception and intellectual experience. The main character, A. Square, is a mathematician living in the flat land two dimensional world. Here, women are considered to be the one-dimensional line, the lowest level of life, but men are ranked higher in society, according to the number of men, the two dimensional shape, according to their side number It is. Square introduces social and cultural practices within Flatland and talks about his adventure while exploring other worlds.

Edwin Abbot Abbot uses analogy of the flatland dimension. This represents a story of a square living in a two-dimensional world, like the surface of paper. From the point of view of this box, there are apparently attractive features in 3D so that objects can be removed from the safe without opening them (eg moving through 3 dimensions). It is on the back side of the wall, even if it stands several inches in three dimensions, it can not be seen at all