The Creation of Didactic Works Through the Use of Point of View and Genre in Wolf Lake” by Elizabeth Bachinsky and Grizzly Man by Werner Herzog

In contrast, Bachinsky's poem at the first person's point of view shows that the process of research appears as a correlation and expression of "self" or "subject". She expresses the past concrete conversation of the victim in italics and uses it to express the murderer in figurative language (Varela and Shear, 1999). A lot of personal opinions and memories This is very different from the opponent described in Michael Smith's "Wolf Lake".

The documentary "Grizzly Man" supervised by Werner Herzog in 2005 follows the life and death of Timothy Treadwell. After many years of video screening, Herzog discussed why this man is naturally very enthusiastic - in particular the wild heismographer. The format of this documentary is very participatory and uses the director to create a framework to tell the story. This is usually the way movie makers become characters in movies. The spectator gains reality through the relationship between the director and the theme, not directly from the theme. In this case, the director not only portrayed the whole movie but also even placed himself in front of the camera. This gives the movie real feelings as if the director wants to unravel the reality of Timothy Treadwell, its very interesting person.

In recent years Werner Herzog 's movie Grizzly Man (2005), an amateur grizzly expert and exploring the story about wildlife conservationist Timothy Treadwell' s life and death, few documentaries are said to have not been done in the summer of 13. I lived in Grizzly Bear. I lived and was eaten by people. In 2005 she won the Alfred P. Sloan Award at the Sundance Film Festival and received the Best Documentary Award for Mountain Film at the Telluride Music Festival. Albert and Roper said that they "gave up two thumbs", the New York Times' J. Hoberman called it 'one of the most engaging documentaries made by filmmakers in recent years' . As reflected in several on-line reviews, Erzog's earlier movies have also created anxiety and even minor controversy.

Werner Herzog's exciting new movie "Grizzly Man" is sometimes called "King of Comedy" by "Grizzly Adams", but it's not too far. Herzog has explored the current fashion scene. It is also explored in documentaries such as "Capture Friedman" and "Tarnation". There, a very personal film shot was reorganized to reveal the story behind the vision. In the hands of Herzog, the movie itself is subject to scrutiny, as the viewer is asked to examine the relationship between myths and reality, and how the story becomes both vortices and both living creatures.