The Compositions of Erik Alfred Leslie Satie

Eric Alfred Leslie Satie, Jane Leslie Anton and Norman, born in Scotland on May 17, 1866, were born in Alfred Satie of Honfleur, France. Satie is a 20th century composer and a pianist, and expresses it as "a medieval musician who accidentally entered himself in the 20th century" (1). Satie suffered from a family tragedy in her childhood, lost her mother Jane and was sent to live with her older brother and sister with her grandparents in 1872. When he was living with his grandparents, he began his musical career.

Eric Alfred Sati was born in 1866 and was born on Honfleur's English channel - for the wrong brothers: Saty's father Alfred is a serious, diligent and enthusiastic son. A marine vessel broker who resolves by marrying family management. At the same time, Eric's uncle Adrian is a practical clown, nicknamed "seabird", flirting, desperate quirky man. He made a beautiful horse-drawn carriage and insisted that it was too sophisticated. He built a fine ship and was sucking through the pipe all day. His nephew Eric is worshiping him

Erik Satie is a genuine strange man whose unusual life responded to his music. In 1891 he joined a spiritual group who explored religious retreats, rose crosses, white magic and alchemy, and also wrote several music for their ritual. Satie later formed his own church and exiled the person who opposed him from the church. In the early 20th century, Sati led the powerful influence of Wagner and other German composers to French music. "There is no music of Soworkraut," he is crying. In order to remove this "seriousness of Teutonics", Satie wrote music using such absurd title, Limp Preludes for a Dog. Satie created Trois morceaux en forme de poire ("Pear-shaped 3 piece") after he was accused of writing music without "shapes". In 1910, he became a hero of worship among young composers fascinated by the humorous name of his title.

Alfonse Allais's 1897 funeral funeral The March funeral consists of 24 blank measures. Allais is a partner of Erik Satie and may have been inspired by the funeral in March following the deep celebration of Cage's Satie. When asked in time, Cage insisted that he did not understand the composition of Arai. In 1947, a jazz musician, Dave Tough, said jokingly that "a string quartet always wrote a drama that was playing the most advanced music, which consisted entirely of rest.As for the first violin, Shout out, "he shouted. You made the last mistake. "