The Common Man in a Millerian Tragedy: A Study of Miller’s Conventions in a Millerian Tragedy

However, John Proctor, with the help of his wife, finally learned the good things that lived with such a name, not to leave the name in the church, but to sacrifice the death of glory according to the procedures of Giles Corey I chose. The door uses those who "misunderstood" the magic of Salem village. Through John's death, he realized that it brings him a mercy and forgiveness of Elizabeth's adultery against Abigail. In addition, if a tragic hero is an ordinary person, only one thousand tragedies may occur, so the mirror also links John's recognition with the consent of ordinary people.

Articles "tragedies" and "ordinary people" written by Arthur Miller show the main function of a tragic hero in romantic literature. One of the main functions is to quote heroes to the general public. "The ordinary people are the tragic theme in the highest sense like the king," Miller said (Miller 'Tragedy' 1461). This is exactly what happened to Willie and I knew that he would ruin all the goals he wanted to achieve (making their children successful by making them a good salesman) At time, he could not achieve it. Therefore, he understands that he is not alone, he / she does not achieve the goal of life. "No planting, nothing on the ground" (Miller's "Death of a salesman" 122)

Miller revealed in the title of his "Times" article that he believes that ordinary people are the theme of the high tragedy of royal leaders. However, contemporary writers do not say corporate executives as heroes, but feel that it is difficult to create powerful tragedies with day-to-day sales representatives. First of all, in order for the audience to feel the full impact of the tragedy hero's fate, the hero must have nearly complete freedom of movement. In other words, you can touch the choice of his injury as the audience feels that the hero can select his / her behavior style without restriction.

In Arthur Miller's 1949 article "Tragedy and Ordinary People", Miller says: "In this era, almost no tragedy was written." This special article was published in the New York Times in 1949. Foreword to the death of a salesman. There was only one kind of tragedy according to the definition of Aristotle before the mirror 'death of salesman'. For Aristotle, the tragedy drama must be developed around the king, the gods, or the high-ranking people. In these classic tragedies words and proper roles must be promoted