The Cask of Amontillado, Short Story by Edgar Allan Poe

A bit drunk like a clown Fortunato is a Montresor party. Montillier, unusual Sherry. Fortunato enthusiastically tracked the alcohol fixed on the wall and saw Montresor make a brick wall and confined in a place where he was abandoned without the hope of survival or rescue. For a detailed overview, please see the link below.

1. Futunat knows himself as a believer of great society of wine experts or enthusiasts, especially Ameltilad, who was able to ask him about new acquisitions, Montillado wine barrels The scenery.

At first glance, Fortunato seems to be easier to identify than Montereso. The relationship with the victim is much simpler than the relationship with the victim. But, in a way, he seems stranger than Montresor. Part of the reason is that Montresor told us stories and he did not give us more information about his prey.

You must have noticed that Montresor did not tell us how Fortunato hurt him or how he insulted him. Therefore, we can not say with confidence whether Fortunat's punishment is consistent with his crime.

If you want to think whether Fortunato should die this way, you may miss one of the biggest challenges of this story. What is the weak point of Fortunato? Montresor gave us his opinion - Futunato has been meditated a little about his understanding of wine - but this is not his only fatal flaw

Why do we need to judge the weaknesses of Fortunato? To some extent, they may reflect ourselves. If you can see yourself in Futunato, you may be able to learn something from that story. Luckily, Fortunato seems to be a personal weak point, so his weak point can be easily found. Here are some of them, but we are convinced you can add it to the list

Futunato is addicted to wine. When he met Montreso, he was already drunk and he thought that Amontillado could help him take it to the next level. Until the end, he thought about only Amontillado, Amontillado. In addition, he asked Montresor to make him more addicted in the cellar. His addiction made him vulnerable to attacks by Montresor

Whether he really hurt or insult Montresor, he is not very sensitive, he did not notice that Montreso was angry with him. And he did not even say "Thank you", but to show off Montresor's wine. He is so insensitive that his judgment on personality is very poor.

He is either proud or too greedy. Perhaps Montresor need not mention Luchesi to drop Fortunato into the hall, but it is not harmful. Fortunato wants to prove that he is a better wine taster than Luchesi, or wants to confirm that Luchesi does not get Amontillado.

If you go out with people like Montresor, too much trust can be a weakness. Montrezzo said he had guaranteed Futunato that there is no reason he doubts him. However, Futunato should know that it is best not to drive the mask man to the catacombs. Have you seen a horror movie?

A short story by Amontillado's cask, Edgar Allan Poe was first published in Godey's Lady's Book in November 1846. The narrator in this horror story is Royal Monte Lesso, and as he claims, he endured a thousand injuries. Fununato of enthusiast was eventually moved by another insult and sought revenge. During the Carnival celebration, Montresor met a drunk Futunato and brought him to his palace in search of his excuse for a newly purchased amontillado sherry barrel.

Edgar Allan Poe's "Barrel of Amontillado" and "Crow" Edgar Allan Poe is one of the greatest writers of the 19th century. Perhaps he knows best is an ominous short story. Two of them are "Amontillado's Cask" and "Crow". In these short stories, Poe uses images of various formats to improve the atmosphere and the environment of the story. In my article I will explore three aspects of Poe's use of images. - Edgar Allan Poe's Amontillado Cask? Amontillado wine barrel? Edgar Allan Poe took us to the madman's heart. The slope uses specific elements to convey emotional influences. He is looking for sinful fraud, using sarcastic, descriptive setting details and dark letter features. The slope also uses the first person, and the narrator is the protagonist of deep participation. The aim is to make readers no longer observers