In the Caribbean, thunder in 1660 awoke him from sleep. Juan Carlos Vega got up and looked over the vast ocean port window. He saw that the rain had not yet begun, but the wind hurled. After pulling out his clothes in a hurry, he hurried to check the situation further. There, he also found a co-pilot Julio Delgado who was investigating the weather. Captain Vega is not only worried about his boat, RealEspaƱa. Since his ship is a flagship of the fleet, he must pay attention to the other five Galleon ships.
& Lt; Tab / & gt; These wonderfully resonating stories and slave ships, the captain's diary, and the sadness of the children's fathers are vivid and powerful, filling in the gap between the mainland and the century " became. Several generations of African expatriates, some others are connected to each other. "250 years ... in my various uneasy voices, I found my child, my Nash, my Martha, my Travis, their lives are broken. 250 I hope to tell them: children, I am your father, I love you. "
Then there is a magazine for gentlemen or military explorers. Sir Samuel Baker, Captain George returns, Sir John Franklin and Theodore Roosevelt write their journals focusing on publication and personal progress. Complex readers do not expect personal disclosure or complete integrity. At his best moment, a wandering rifle can only be measured by measuring the rich tradition left by these people. My magazine is also written for improvement, not for the sake of the public. Modern readers see strange places. It is not enough to evoke such curiosity. He must not be drunk by the sensation of the artist's individuality. Writers can achieve openness by doing different things, but in the end, the artist's personality and style will lose or lose the reader, which means that a cautious writer will answer before he begins Give me a question. Who do I write for? Or who is who I live in?