The Butcher Boys by Jane Alexander

Jane Alexander's butcher boy is sitting on a wooden bench in a quiet room at the Cape Town Art Gallery and sits on three statues of a dark underground cemetery more suitable for the novel of Stephen King. Jane Alexander's butcher boy is the most terrible art work I have ever seen. Three men innocently sat on the bench and drew a beautiful portrait of England on their walls and their black glass-like eyes stared at the face of many accused. Their mouths are sealed, the powdered color of life does not move, and you make themselves believe that the horns of animals do not change their direction and look at your face.

Jane Alexander's butcher boy was chosen because this article was previously introduced to the classroom and the image was found to be visual and conceptually exciting. After reading the history of fear of the article: the apartheid and the naked body of Jane's work, the historical significance of this work make it more attractive. Studies have shown that this special work of art and its history influenced the band Die Antwoord that I respect and the Butcher Boys became more attractive. This article is my personal thing. Because it has much in common with my own work and they make changes using human form. The work of Jane Alexander is exciting and I decided to take advantage of this experience to show my future efforts as an artist.

During this racial turmoil, Jane Alexander created a butcher boy between 1985 and 1986. This cultural, social and political framework has obvious influence, and this influence is conveyed in the meaning of this article. As an artist, Jane Alexander generally remains silent in the intention of her work ArtThrob. So, the meaning of a boys' butcher is an open explanation, and this work has various opinions. One possible purpose of this article is to create feelings for the audience in connection with terrorist incidents in South Africa's apartheid era. Numbers in artwork may represent perpetrators of apartheid. The accidental nature of the emergence of models associated with each person's inhumane acts may bring good and evil to white groups involved in these atrocities.

Butcher Boys works by Jane Alexander from 1985 to 1986. Jane Alexander was born in Johannesburg, South Africa in 1959 and grew up in South Africa in a fierce political and cultural atmosphere of apartheid and civil rights struggle. This position, more specifically the cultural, social and political aspects of the site, influenced Alexander's work, Butcher Boys. The artist says, "My job is to respond to the social environment I live in. Apartheid is an important political condition for a certain period of time, which affects my view on the present and domestic and international social environments I will give it. "(Dent). Alexander still lives in South Africa and currently teaches at Michael's Art University in Big 30 in Cape Town.