The Behavor of the Chief in the Film The Story of Qui Ju

The movie is the story of Qui Ju which depicts the avid pursuit of a common regional woman seeking justice in a small village in China. She is pregnant, but she always solves all obstacles in her way. She went to a different office from one office, hoping to regain justice. But she was disappointed again and again: the official could not fulfill her request, but the only thing she wanted was the apology of the mayor who badly hit her husband.

Zhang Yimou is well known for his various successful movies such as "Doudou", "The Story of The Kluang", "Improvement of the Lantern Festival", "Life". In the first movie "Life" in 1994, the story depicts the story of the Communist Party before and after China. What is being drawn is the Xu family of rich, Jiayu, funny, and Fengxia. Fugui, the hero, plays an important role as he overcame three major disasters in his life. At the beginning of his unhappy moment he lost his family mansion and after a while he lost his son and he lost his daughter at the end of the movie. We need to pay attention to the importance of the loss of wealth. China will change every time it encounters a loss. These losses are an inevitable tragedy that must face wealth. Furthermore, China's transition to Communism is inevitable in parallel with loss of wealth.

Hong Kong 's fighting sports (martial arts) movie also performs similar performance. History of rich textiles in China is a story about visual drama, which draws particular attention, especially the production of the sign of Qiu Ju of Zhang Yimou (1992), Yao a yao yao dao waipo qiao (Shanghai Triad, 1995), and Wo de fu cin mu qin (The Road Home, 1999) and designer Huamiao Tong. The era of unusual appearance, the stylized color scheme of black, white, and red, was adapted to Yimou by designer Zhang Zhi'an at Da Hong Deng Long Gao Gua (Red Lantern, 1991). Asian style in the second half of the 20th century is quite large

In the movie: Guise the Red Lantern (1991), the main position of the red of the wedding represents the wife chosen as a couple, Ju Dou (1990) dyed the house with a colorful cloth. In contrast to the dullness of a young and cheating wife, and in contrast to the colorful countryside of the road house, it suggests the happiness of the adolescent and parents of love. Zhang sometimes changed his style, became the master of happiness and sad endings like Happy Time (2001) and The Road Home, later on to a type of martial arts full of twist and rotation of traditional Hong Kong kung fu movies became. Chinese critics have written down their illogical plot and weak personality designed for North American viewers and have already eliminated his latest work.