The Authorial Voice

Write down from the soul about your life experience can take a completely different sense from any other writing. To tell the truth, there is an internal intuitive risk consciousness. Risk of causing some kind of adrenergic stimulation while allowing reflection. The adventure that shares your own story may feel fear and relief, connection and liberation. Harriet Jacobs and John Edgar Wideman accepted this in their stories, events of the slave girl's life (Jacobs) and our time (Wideman).

Cherish the beauty of words, praise the eloquence of maxims, there is no voice of the author who advocates wisdom of maxims, so the style is fulfilling. The reader died how, but ignored the lifestyle of men and women. This is another page of the wastewater septic tank that gives up the victory and tragedy of life, romance and heartache, love and loss, restless communication and wartime restlessness, remote travels, and domestic and foreign spirits, Jumping up the cliff and rising from the deepest valley enjoying spectacular views from the deepest mountain

Even if it is fictitious text, the voice of the author can convey historical information to each text. The voice of the author is fictitious and its existence can be used to systematize, celebrate, and introduce fictitious works. This fictitious voice is the other part of the historical writer's most direct sentence, has the authority of all the stories of its (authorized) creator, has a historical and true ontological position I will. This is the voice of science, "ecological" discourse and cultural exchange. This is a voice, but the extent to which literary criticism removes the author 's historical existence from the text can be simply called the author' s voice. (122)