The Art of Michelangelo

His hand finishes artwork quickly and creatively. Each well-defined muscle is smooth like silk and each hair is completely rounded. When his sweat dripped from his face, and when he returned to see what he made, his heart soon licked his chest. 2 years - a long two years to complete this work. What will happen? He is worried that his work will all go to waste. When he gazed at his work gently, tears caught up in his eyes. This is too spectacular. The marble seemed to shine a little in the afternoon sun.

Michelangelo was born in Rome on March 6, 1475. When Michelangelo was young, his father Ludovico Buonarroti arranged him at the art studio. Michelangelo began studying sculpture at a special school in the Medici garden. After a short stay in the class, he was invited to stay at the house of the great painter Lorenzo de Medici. As a Roman student, he is called "general genius". He was a wonderful sculpture in his early days, and he learned to paint and paint. Michelangelo is also a very devout person. He is a Catholic, and most of his paintings and paintings are similar to the way he looks at his works of art. Michelangelo embodies many of the features of the Renaissance. He is a unique and competitive genius (sometimes even quirky). Michelangelo is not afraid to express mankind in a naked and natural state even in front of the pope and other religious leaders. Michelangelo depicts life as reality even though it is troublesome. (3)

S J Freedberg is committed to making Michelangelo art related to neoprene tonicism in his book "Roman and Florentine High Renaissance Paintings". Michelangelo art at the Sistine Chapel is said to be able to return to the concept of neoplatonic or Christian. Symbolic understanding has to recognize both, and we must recognize that human form does not consist of tradition, and Michelangelo has great interest in classics. After entering the church, people can see the historical view near the entrance. These sides are full of numbers, and the scene near the altar shows just a few numbers. The entrance and the Siberian prophet are smaller than the altar prophets. Although the building is expanding, the first prophet and Siberia will sit firmly on their throne. The latter seems to slide down from the wall to the floor (Gilgren, (2001)). There are two contradictory explanations for this.