The art of decadence in the city of venice: Death In Venice

The premise of decline was very popular in European literature in the latter half of the 19th century. In addition, many of Man's contemporary works reflect the collapse of individuals and society as a whole. In Venice's death, the decadent theme of aestheticism appeared to Polish boys, Tajio, in the quirky, especially homosexual emotions of Gustav von Aschenbach. It is inside. His feelings were born from the sound source, the aesthetic beauty of the boy, but Arsenbach declined when his feelings were too enthusiastic, and his obsession eventually ended with his words It led to destruction of existence.

In the 18th century Venice became the most elegant and sophisticated city in Europe and had a great influence on art, architecture and literature. However, when Napoleon Bonaparte conquered Venice in the first coalition war on May 12, 1797, the Republic lost independence. Napoleon is considered a liberator of the city's Jewish population, but there are few restrictions on life in Venice. He dismantled the gates of the Jewish quarter and finished the restrictions on Jewish living and time and place of travel in the city.

When Napoleon laid Venice, he took to some of the beloved work of Venice. It is noteworthy that during this period God's ascension seems to be still in Frari. But when Napoleon was defeated, the masterpieces of Venice went back to college immediately. This is believed to be safer and easier to access. In the early days of his career Titian was about 30 years old and completed the ascension of the altar. After his teacher Giovanni Bellini 's death, he became an obvious master painter in Venice. Due to his new identity and the turbulence caused by Our Lady Ascension, Titian began receiving a large fee and received extensive honor.