Arthur Miller is a social playwright who reflects his view on the American government in many of his plays. The Great Depression has had a lasting impact on him, and he explained this effect in "American Clock". As he was deeply influenced by the Great Depression and the role of the government in it, Miller ridiculed the idealism of American dreams in "death of salesman" and "view of the bridge." Due to the unfair condemnation of the Communist Party during the McCarthy era, he accused the wrong court system as being a criminal.
In the 1980s, Miller produced many short films. "American Clock" is based on the history of Stud's Great Depression Terkel (1912). Within the 1930s nearly half of the domestic industrial workers were unemployed, due to the declining production, distribution and use of goods and service systems. "A certain story with a certain story" elegy was a two-part show that was performed together in 1982. Mirror danger, memory! It consists of Clara 's short film which I do not remember. All of these later plays are considered small works by critics. In the mid-1990s, Miller adapted the movie version starring Daniel Day Lewis and Joan Allen, the crucible.
In the 1980s, Miller wrote two complete pieces of work followed by a series of more experimental short films. American Clock (1980) was first performed at the Spoleto Music Festival in South Carolina State, then moved to New York. Even though only twelve performances, even though Miller's sister Joan Copland plays Rose, it is still based on their mother. With music and actors over 50 years old, Miller watches it as a collage of American life in the 1930s and a celebration of American democracy. It was not until 1986 when Peter Wood was performed at the National Theater in the UK, which gathered and caused the imagination and recognition of the audience. Another complete episode was imprisoned in the Auschwitz concentration camp in a television broadcast of the Holocaust 's "Play Time" (1980) roughly based on a French pianist and a singer' s memoir of Fania Fénelon.
The influence of Arthur Miller on the American drama culture and the global meaning of the drama