The Ambiguous and Separate Natures of Mosca and Volpone

The ambiguous and independent nature of Mosca and Volpone Volscone's Mosca and Volpone "dynamic duo" played by Ben Jonson are consistent and inconsistent. Strange thing is that it looks right, it may be an indicator of deceiving the character of each character. The obvious concept of each player is often replaced by the complexity of the personality. Together, Mosca and Walpen are both unmarried and annoying cheats without children. They are unscrupulous materialism and dirty betrayal.

Volpone was held in Venice in the 17th century. The play was held at the house of Venetian aristocrat Vaporone. He and his "parasite" part of Mosca slaves, part of servants, part of servants - Volpone has entered a temple where gold coins were kept. Volpone has accumulated his wealth, and we learn through dishonesty: he is a liar. And we also know that he likes to spend his money on luxury. Soon, I understood the latest development situation of Volpone. Over the past three years, he has attracted the attention of three traditional hunters: Voltore of Lawyers, Corbaccio (Old Gentleman), and Corvino (Businessman) - Interested in inheriting his legacy after his death there is. As everyone knows, the Volpone is very wealthy, and he also has no children, no natural heirs. In addition, as he is considered to be very sick, each legacy hunter prays for a gift to him.

Corruption planned between Volpone, Volpone, Mosca was evident from the beginning. They are using the weakness of their relatives, that is, easy money to deceive and go easy. This is similar to Iago using Othe llo's reliability and know-how to get Desdemona. In Vorpone, Mosca and Vaporone liberate people from money and cheat them to convince them that they become the sole heirs of Volpone's wealth after his death. The same applies to Oth ello, but Iago is passionate about acquiring leadership and title. I believe he is more qualified than Othello to hold this position, so I am eager to master mercenaries. The majority of it is caused by Othello's race and his love for Desdemona; he is a Moorish who likes white women. Bribery, fraud, drama of lies and hatred are the best scenes in Venice, they have many of the same characteristics.

Think of an example of the dramatic structure of basic fraud. Every customer who has a jewel or silver plate is brought to the stage by Mosca and given to a very poor Volpone. The disease is, of course, a symptom: the bed is a small stage and the visitors are spectators. But even more fundamentally, Volpone is the audience, and Mosca skillfully shows him to all his despicable self-centered visitors. For example, he believes that Corvino believes that the volponone does not hear anything and encourages him to insult his ears, so he not only shows hypocritical friendship but also shows malice under it It is. Volpone is satisfied with these elegant humiliation is aesthetic: "My sacred Mosca!