The AIDS Quilt: Another Dimension

"AIDS quilt: another aspect" "Jones imagined the AIDS quilt as a message that can originally evoke the conscience of the nation." (Sturken 186) "AIDS quilt is a matter of memorial aims The quilt's foregroundization and creation of the community is not only about remembering the dead, remembering the meaning and value of their lives, but also the process of creating something from this loss "(Akira's Quilt is a kind of mourning tool, but in reality the group in the quilt is actually against the idea of ​​mourning.)

Aids quilt debuted in 1987 and is another souvenir to educate in the past. Quilt is a typical post-modern monument in many ways. The place is not decided, its content and size are constantly changing. Family, dream, individual with personality. The AIDS quilt itself is also democratic, and as each loved one of the victims contributes to a 12-foot square panel, it is constantly added and turned into "people", many of which are used to convey the story of the victim's life I use collage technology. Quilts have a permanent home in Atlanta, Georgia, but it is possible to display panels throughout the country.

Exploration: The AIDS quilt shows the individual diversity of individual victims and the unpredictable influence of the virus on contemporary humans. Quilts are often displayed in various places around the world. The AIDS youth quilt organization which manages these appearances also established a large-scale Web site (www.aidsquilt.org) including the database of each group. How does this site become part of the memorial hall? What are the good and bad points of this site? As it relates to memories, testimony, memorials, how does the Internet influence the way we think about the possibilities of time and space?

AIDS Memorial Quilt is a tourism public art project created in the midst of the AIDS crisis that occurred in the United States in June 1987. Ongoing project commemorates those who died of HIV and AIDS through the quilt group and decorated them with a symbolic image representing their name and memorial. As more victims of AIDS are now being submitted to the NAMES Project Foundation, quilts are composed of over 48000 teams and are added each year further. In December 2015, artist and environmental activist Jenny Kendler was asked to build butterfly garden in downtown Louisville, Kentucky. When building the garden for others, Kendler receives recycled wood, ultraviolet LED lights and milk glass for Louisville to create a garden