The African American Post-Soul Generation

Martin Luther King was assassinated in 1968; 11 years later in 1979, Sugar Hill Gang released its successful hip - hop single "Rapper 's Joy." As predicted from the equality of the civil rights movement in the 1980s and the desire for social conservatism, this period is the first example of the fundamental change of young Black Americans. As a new generation of "generations after the soul", writer Nelson George, devastating the basic identity crisis, demands that African Americans harmonize the marginalization and the history of second-class citizenship, civil rights I mentioned later on African Americans. With new injection of equality.

On the contrary, due to slum culture, drug culture and gang violence, it is a continuing threat to the happiness of many African urban residents, so the poverty rate of black people Is still high. By the end of the 1970s, the promise of civil rights gave a dark understanding: in the majority of whites in American mainstream society, the black culture is largely incompatible. When writer Lisa Lowe wrote, "For Asian immigrants from Vietnam, South Korea, Philippines,

DuBois's work when African-Americans' rights are severely eroded and in some cases excluded are also articles full of faith and hope. African-American critic J. Saunders Redding thinks "the soul of the black people" is like "historical creation rather than history". The black nation's SDF has laid the foundation for the rise and rise of independent African countries. Civil rights movement. Several generations of African Americans seeking leadership roles in the United States were inspired by the message of "the soul of black soul" and Dubois's hot call at work. All generations need to weaken the material raised by this work and the intellectuals about the problem. In the African-American research project across the country, "the soul of the Negro" has still been very successful in providing the roots of African-American freedom and dignity struggle.

The criticism of Dubois against the religion of African-Americans is casting the question "where did you find the soul of the black of the 20th century?" It happened that Duchais insisted most of the black people, and now "seeking new religious ideals at a wonderful night" (149). I would like to propose that Dubois finds a sacred and worldly true true black soul in every way. It promotes the sustainability and continuity of African-American cultural communities. The product of this community, "sad song", or the spirit of African American, Dubois, "the greatest gift of the Negro" (181)