The Aeneid: Virgil's Heroic Underworld

It was clear that Virgil was familiar with early works of Homer, Iriad, Odyssey when reading Aynade. Virgil not only knows these early works but also uses the themes and ideas of these verses in my work. Virgil not only reproduced scenes and ideas, but also expanded and changed these themes to better convey his story from the original Greek work he painted. Virgil reveals what he regards as the quality of a hero through the juxtaposition of characters of Aeneas and the negative aspects of the ground.

In Roman myth, it was named in Virgilious "Aeneis" sixth, his explanation of hell in Dante, a dispatcher ("Father DIS"), the ruler of the underworld (God's main effect One is also known as Pluto which is the name Virgil in use Aeneas and his leader Civil enters "desolation of the kingdom and entrance of the sky" Angel who Virgil's poet fell Guided and speakers by Disk Wall as "Divine Song" and "Dante" they protected by the characteristics of its architecture Nemesis US Medusa stressed this place As a characteristic of the city: the tower, the gate, the wall, Walls, bridges and tatami therefore, as I explained in these buildings, like the St. Augustine of his book "The Country of God" is opposite of the heavens in the middle of the medieval Christian world There is a place of worship of the dangerous enemy mosque.

Many of the great epic of European literature include episodes that happened in hell. In the Latin epic "Aeneas" of the Roman poet Vajir, Aeneas fell to Dis (lower layer) asking the father's spirit. Only the facts are depicted vaguely. Undeveloped road leads to punishment in Tartaros, Eribes and Ilisia fields. Hell's idea for Jean - Paul Sartre (Jean-Paul Sartre) This writer has a great influence, he drew in 1944 drama wrote his opinion "Hell is not another person" . Although not a religious person, Sartre is fascinated by the painful interpretation of the state of hell. As a narrator borrowed from William Blake's "Marriage of Heaven and Hell" (1793) by Divine Song, inspired. S. Lewis's "Great divorce" (1945) is also guided through hell and heaven as well. Hell is depicted as an infinite, desolate, dusky city, unconsciously sinking in the city's night