The Advantage of Black-and-White over Color Photography

In the world where color photography is common, people are often surprised by the power of black and white images. Black and white photography is a better art form than color photography and I want to show that many hypotheses are not as successful as suggested. Black and white film has beautiful, craftsmanship qualities that makes it difficult to create colors; it is not an alternative to color, it is an abstract way to explain the world around us.

A typical black-and-white photograph (used in this article as a general monochrome representation of monochrome photographs) is not simply a process of shooting in color and then converting it to grayscale. In my opinion, it is different (or at least broader) than using monochrome cameras or black and white film. In this article, I will outline important factors for considering bringing monochrome photos closer to the owner. But this is my opinion. In other words, I believe that the art of taking black-and-white photos has been completed several decades ago, but anyone who wants to take classic black-and-white photos needs to take black-and-white photographs. work

In black-and-white photography, we can discuss two big themes. The expertise of monochrome works, the selection of art of production, and the influence they have on photographs. The latter is a wider topic, depending on personal style and preference. By describing his or her personal style with an individual photographer, you can introduce in future postings or multiple postings. In this article we will focus on technical issues in processing black-and-white photos in the darkroom.

Black and white photos are particularly powerful for several reasons. From a technical point of view, by reducing one of the variables (colors) of the photograph, it is possible to eliminate potential pitfalls and errors of the entire category and to focus on the value ("Brightness and Amount of darkness ") How to judge the value of the scene before taking a picture? This "photographer's eye" - the ability to imagine the appearance of a photograph - is a basic skill.

Previously exposed and developed photographic films or plates (eg, white eyes appear black) that display hue inverted images with black and white photographs. In color photographs, the image is in a relationship between the subject and the complementary color (for example, the blue sky is yellow). When a negative image is transferred to another surface, a positive image is obtained. The term made by French art critic Pheneon in 1886 was applied to the avant - garde art movement which prospered primarily in France from 1886 to 1906. In the case of Georges Seurat, the Impressionists abandoned Impressionism's spontaneity and instead supported scientific and optical research based measurement and painting techniques. The new Impressionists are starting to believe that one-touch coloring will produce superior color vividness over conventional pigment blends on pallets.