Temple areas, especially the Gentile courts can accommodate about 200,000 people, so it is a good number to say that 3,000 people will be saved. The audience is dedicated to people familiar with the Bible and those who have entered the city once during the painful period of the Crucifixion. Nothing happens without the work of the Holy Spirit. Furthermore, it is important to note that a common life represents God's praise, faith's joy, and heart-faithfulness, but the story of actions does not mean that it is always the case I will show it.
759 Tannehill, Vol. 2: Act, 116. Peterson, Acts, 306.760 Tannehill, Vol. 2: Acts 114, 117 Observing Anania's vision consists of the following things. - The story is aimed at enhancing the sense of surprise through the reversal of rhetoric in the dialogue between Anania and the Lord. Ananias protested that Saul started giving the pain of "being named after you", but the Lord replied that Saul was the chosen tool - "It was named after me", that The name is' (9: 14-16). It is even more amazing for Ananias that the persecutors have become more than just Christian and an excellent example of a persecuted person who fulfills his duties.
In the two photos of the church, the transitional performance in Sao Paulo is even more prominent. According to the apostolic scripture, on the way to Saul of Damascus, the Pharisees (who soon became apostles) listened to the voice of Christ and told him: "Saul, Saul, why did you persecute me On the ground? "Then it temporarily disappeared. It is reasonable to assume that Saul has fallen from now. Caravaggio is very close to the Bible. The horse was there to catch him, the groom, but this drama was internalized in the heart of Saul. He fainted to the ground and closed his eyes as though it were dazzling in the light of God illuminating the white part of a horsey horse, but as Saul did not have a halo, the light of heaven He was known only to believers. Caravaggio showed religious experience naturally in the spirit of Luca who was thought to be the book of the act at the time.