The 19th Century Aesthetic Movement

The aesthetic movement arts and craft movement of the 19th century was the mainstream of the reform design of the 19th century and it defined its maximum development period, between about 1875 and 1920. The aesthetic movement and the Art Nouveau movement are rooted in the reaction to the British Industrial Revolution in the mid-19th century and are two styles of movement philosophy (beautiful things 9). The term "aesthetic exercise" refers to the introduction of the principle of emphasizing art in the manufacture of furniture, metal products, ceramics, stained glass, textiles, wallpaper and books.

Aesthetic exercise was one of the most important social movements in the second half of the 19th century, but most people did not understand it at all. As long as we are in Brooklyn, we are seeing the impact of sports on our era house and both inside and outside the building. If the aesthetic movement has a theme, it must be the art of art. The writers, poets, cultural leaders of the time insisted that people should live in a beautiful environment - beautiful rooms are full of beautiful things. This symbolizes the height of the fight against our society when the art of decoration was born.

William Morris (1834-1896) was a towering person designed in the late 19th century and had a great influence on the movement of arts and crafts. The aesthetic and social vision of the arts and craft movement comes from his thought developed jointly with the Oxford University student group in the 1950s. By 1855, they discovered Ruskin and believed that there was a contrast between the savage of contemporary art and the brothers before Raphael (formed to pursue them). Artistic goal Middleeism of Morte d'Arthur of Mallory established the criteria of their initial style. In the words of Edward Burne Jones, they are intended to "confront the jihad of that era."

Germany and the UK are important forces of this movement. From the end of the 18th century to the end of the 19th century, romanticism spread philosophy and art into the Western world of the world. The early part of this movement overlaps with the era of revolution. The idea of ​​creative imagination is beyond the concept of reason. Small elements of nature such as insects and pebbles are considered sacred. In these works, there are many changes in the perception of nature. This era is no longer a fable, but a myth and a symbol. During this period, the power of human emotions