The Indianapolis Museum of Art: Christ in the Storm on the Sea of Galilee by Ludolf Backhuysen

I visited the Indianapolis Museum of Art on April 13. This is a very nice visit and you can see various works of art. The four I decided to analyze were Christ's of Galilee Sea of ​​Ludolf Backhuysen, Still Life of John Sharman at the end of the pouch, Abbott Henderson Thayer, and the morning effect of the canal of Richard Buckner Gruelle. By observing and analyzing these works, I came to the conclusion that art is not just a picture.

By comparing the two pictures, Varno's "Arashi" and Delacroix's "Christ of Lake Galilee", it is easy to see the difference between the two pictures and decide which is a romantic piece. Both are like neoclassical works. Hua Tuo's "Arashi" seems to have come from the era of neoclassicalism, "Christ of Lake Galilee" seems to have come from the era of romanticism. There are many differences between the two pictures - Augustus is more concerned about self defense than the advances of the Senate, the military and its citizens. He refused absolute power, but it was the ultimate motive. Julius Caesar's fate, Augustus was very aware of the absolute danger of power. So he saw the dispersion of power as a means to offset these potential threats. I used Tacitis, the main source of taxi, "Roman Empire".

Louis Joseph Watteo's "Arashi" is like a romantic picture, but Eugene Delacroix's "Sea of ​​Galilee" is like a neoclassical painting. First let's see Huatuo's "Arashi". This picture is a romantic piece because its appearance has a general influence on its onlookers. Storm has not appeared yet; it only shows that it will eventually arrive. Half the clouds are still full of sunshine, the other half are covered with several dark clouds, suggesting a threat of future storms

The storm in Lake Galilea, painted in 1633, represents the miracle of Jesus who calmed down the storm. Unfortunately, the picture of Rembrandt in the ocean has been lost for over 20 years. In 1990, two thieves stole a policeman from the Isabel Las Tert Gardner Museum in Boston. In addition to "Arashi on Lake Galilee", thieves also stole 11 major artworks equivalent to Rembrandt's "portrait of black girls and gentlemen" totaling $ 1.1 billion. In 2013 FBI announced that he knew who is the biggest art router in history, but the framework for retaining masterpiece in the past is still empty.

When learning the "Christ of the Galilee sea", the dramatic style of the romantic era is obvious. There is nothing clearly distinguishable in this picture in fact, but obviously it depicts a bad wind as a whole picture. It popped out of you because of extreme fierceness, but the whole picture was ambiguous as if it were part of a dream. The colors in the picture are more vibrant, but the emotions in the picture are incredibly strong and unbelievable. This picture shows the artist's delight on the wild side of nature and the interpretation of the emotions people have caused through these aspects.