Taxi Driver (1976)

"Taxi driver" is a beautiful figure depicting a person who is trying to do things in New York, a busy and dangerous New York in the 70's. He is not a stable person (he is a veteran of Vietnam), he decides to do it for himself alone, for his solitude and for his own personal opinion and ideas of society and the world

The beauty of this movie is that everyone interprets it in their own way. Everyone sees something different in stories and personality. I think that this is also an idea when Paul Schrader of the author and Martin Scorsese of the director make this movie.

That story leads us to the world of Travis Bickle. We started seeing society through his eyes, and as the movie advanced, we became increasingly conscious of that role. It not only has a role to understand his personality but also a very real personality. There is nothing in this movie that looks better or worse than real life.

The movie became even stronger by the performance of the actor. Robert De Niro is a sensational leader and supporting actors are also great. In this movie, famous actors such as Judy Foster, Albert Brooks, Victor Ago, and the young Harvey · Keitel which is almost unrecognizable are still unknown.

The whole movie is sensational - many styles Martin Scorsese supervises, he knows how to set the right mood and atmosphere. Michael Chapman's simple yet effective and realistic Bernard Hermann (his last) score also adds to the atmosphere. Of course, New York City as the background of the movie gave the darkness and tenacity typical of this movie. Everything in the movies is slow and powerful, and each sequence plays an important role. As a result, the film is full of unforgettable episodes, the famous "You are talking to me". Sequences are best known. However, the end of violence also left a sustained impression.

Even now 30 years have passed, it is a movie that still applies today. What changed to society thirty years ago and now compared to now? The theme and meaning of the movie are still unchanged. It makes a "taxi driver" a perfect embodiment of society, an eternal and important movie, and it is worthy of "classical" status.

A taxi driver of Martin Scorsese (1976) arrived at the occasion of reappearance of American cinema. The director is no longer bound by the requirements of the studio. Instead, they are assigned the sole creative control and are solely responsible for themselves and the art team working on a specific movie. It is not a mistake that a taxi driver will appear at the same time as the American New Wave in the late 1960s and early 1980s. Taxi drivers are definitely a product of Scorsese, De Niro, Schrader, Chapman movies, a perfect combination of content and format. Scorsese's understanding of how the form makes sense is the key to the success of film art. Michael Chapman's movie picture is a real highlight as it brought the establishment and clarification of the theme and character in the movie. Likewise, other forms of elements (editing, performance, music) are used in conjunction with film photos to make the taxi driver a reality.

• TAXI DRIVER (1976) - An attempt by John Hinckley to try to assassinate Ronald Reagan in 1981 was related to this movie. His lawyer proved that Hinckley became innocent innocence and he lost between the movie and his reality and fiction, after his allegation that he had an understanding of the movie, role and actor (Jodie Foster) . The difference. It is said that Hinckley used a taxi driver as the main script and John Lennon killed Mark David Chapman as a sub-script for his assassination attempt. The movie was dropped for the jury in his trial.

Influence of 1100 technologies, media, and popular culture on criminal acts that imitated crime and cybercrime