In the neoclassical comedy Tartuffe written by Tartuffe Jean-Baptiste Polquelin Moliere by Jean-Baptiste Polquelin Moliere, Tartuffe is described as a character suffering from fame fulfilling religious asceticism. As the owner of the house, Olgon is convinced that Tartuf is a modest and devout man despite his family still insisting on them. But in the seventh curtain of the fourth act, the con artist Tartuff finally revealed his true fraud. ACT IV Scene 7 Tartuffe, Elmire, Orgon TARTUFFE [Do not display ORGON] All women are completed; I am already thoroughly inspecting the rooms nearby; everyone does not have to worry. ...
Jean-Baptiste Poquelin Moliere's Tartuffe is an epic story of hypocrisy, betrayal, stupidity. Moliere chose the hero of this drama to be the most obvious and ignorant character in the drama. Orgon's hypocrisy against the villain Tartuffe is rustic, placing Tartuffe as sacred and crushing himself completely by failing to get rich clues Tartuffe pretended. The analysis of this role is very interesting and irritating at the same time. Clean: The real enlightenment of Molière's Tartov came from France in the 17th century. The type of enlightenment in Western culture is different from East Asian philosophy. Satori 's thinker is confident in the rationality and analysis of Western culture. Tartuf was born in a culture that respects the era of rationalism or practical thought. And it gradually deviates from the origin of religion. In addition, the people of Paris are also very interested
In the neoclassical comedy Tartuffe written by Tartuffe Jean-Baptiste Polquelin Moliere by Jean-Baptiste Polquelin Moliere, Tartuffe is described as a character suffering from fame fulfilling religious asceticism. As the owner of the house, Olgon is convinced that Tartuf is a modest and devout man despite his family still insisting on them. But in the seventh curtain of the fourth act, the con artist Tartuff finally revealed his true fraud. - Tartuffe, Phaedra, Figaro In fraud literature at marriage, fraud may exist as a sub-theme, moving a character, providing comedy, playing a role in plot progression. So far, the research considered in our research provides the main examples of using spoofing in the above methods. This article will focus on Molière's Tartuff fraud, La Tin's Fadra, Boma's "Figaro's marriage."