Symbolism of Italian and French Theatre and Opera

Introduction "Querelle des Bouffons" is a cultural fight against the comparative advantage of French and Italian opera style. It is divided into two camps; the supporters of Italian music are called coin de la réne and the supporters of French music are called coin du roy. However, Kelre has political and social influence on royal supporters supporting the French opera. I believe that they are based on the principles of French classicism and absoluteism. Institutional tools for destructive attacks.

Gioachino Rossini (1792 - 1868) Italian composer. Rossini wrote 38 amazing operas and changed its opera to a modern form. Amazing works in Italy include Seville Barber (1816) and La Cenerentola. He also moved to Paris and wrote for the French drama including the opera "Count of Orly" (1828) and William Tire (1829) by the Austrian composer Franz Schubert (1797-1828). It links to a romantic era. One of the few composers, especially in his work, evokes Mozart's spirit - Symphony No. 5. Schubert has created seven symphony, including sacred music, opera, piano music. He is also a composer of great secular vocals. His famous work includes his immortal version of Ave Maria D.839, Major Piano Sonata, D 959, C Major Symphony (a wonderful C Album, D 944) and B. Pro D.485 Symphony

Since the days of Handel and Mozart many composers have supported the use of Italian as the language of the script of the opera. From the Bell Kant era to Verdi, the composer sometimes oversees their opera versions in Italian and French. For this reason, operas such as Lucia di Lammermoor and Don Carlos are considered typical in both French and Italian versions today. Until the mid 1950's, they were able to use translations to make operas, even though these operas were not approved by composers and original writers. For example, the Italian opera house often sings Wagner in Italian. After World War II, the opera scholarship has been improved, and the artists have once again focused on the original version, and the translation has gone out of support. Understanding European languages, especially Italian, French and German, has become an important part of professional singer training. "The greatest opera training is linguistics and musicology," explains mezzo-soprano Dolora Zajick.

Italian opera is both Italian opera art and Italian opera. The opera house was born in Italy around 1600 and the Italian opera has dominated the shape history until today. Many famous Italian operas including Handel, Gluck, Mozart were created by foreign composers. Italian native composer's work from the 19th century to the early 20th century, such as Rossini, Bellini, Donizetti, Verdi, Puccini, is one of the most famous operas in the world today. Performed at various opera houses.