Realist writer Alexandre Dumas of the mid-19th century wrote about his play as follows. "If ... if I can have something in society, if it is not a treatment, I can fix the cause, for example if you explain and commit adultery and drama, discuss the problem As a lawyer and a poet, I will do more than my responsibility, I will fulfill my responsibility as a person ... we have nothing There is no need to devise, it is everything that is sought as basic, truthful, factual, possible, instrumental, sophisticated, and obvious. "
This paper aims to draw the feminist information of Shakespeare's Macbeth and Ibsen Hedgegbler, depicting Elizabeth White and Scandinavian bourgeois society and culture representatives of the 19th century. Mrs. and Haida Gable. Through these female heroes, both playwrights want to expose their modern female community. Both Hayda and Mrs Macbeth together made a terrible revolution against pro-active voice, patriarchal rule, power and rule, aiming at achieving self, self-power, self-control. In both plays, Shakespeare and Ibsen prioritize women's identity, resistance and control over male order and customs. Here we try to emphasize the critical judgment of several critics based on the analysis of the role of two powerful heroines.
Shakespeare and Ibsen: A Comparative Study of Macbeth and Haidagol from the Viewpoint of Radical Feminism in the 21st Century
The female oppression of Hedda Gabler is at Hedda Gabler of Henrik Ibsen, the repression of Victorian women is revealed by resistance to Hedda 's social norm and limits entry into her family life. The main purpose of this work is to think that Hedda is not her husband's wife but a father's daughter. Through the script, Haida seeks to satisfy her ambitious and independent nature. History shows that European people have imposed a lot of things on the territory of Latin America and have long-term devastating influences on indigenous peoples. During the centuries after 1492, Europeans will dominate the majority of South America and will force foreign cultures into the civilization that existed before their arrival.
In his theater "Hayda Gamble", Henrik Ibsen depicts the microcosm of the Norwegian society of the 19th century. The hero Haida shows a mixture of male and female qualities for her unique education at General Gabriel and social customs imposed on her. But this society worships General Gabriel because of his military position but his daughter Haida will not be tolerated as she does not accept the accepted sexual stereotypes. Jeddah and Jogan Tessman's gender reverse marriage, her power aspiration, and the use of General Gabler Pistol can not be accepted in her society and the theme "Do not do such a thing". Mentioned in the play and detailed on Hedda's death suggested that the uncertain position between Hedda's male and female sexual roles and their associated characteristics can not be tolerated by her society .