In the 1950s and 1960s not only as the beginning of the "hippie" era, but also as the era of various resurrections and exercises related to Silvia plus, one of them was most revived in the basement - a mysterious resurrection did. . The mysterious resurrection was seen as the backseat of many other movements that occurred in the 1950s and the 1960s and even said that Plath only used it as a metaphor of her poetry It was. However, by looking at poetry such as "Mrs. Lazarus", "Colosseum", "Dad", Sylvia Plus incorporates the mystery into its mystery and tells her feelings to the living and the dead. It is a method.
In most of Sylvia's biography, there is a frequently repeated story about what she returned to Smith University after trying suicide and subsequent hospitalization. This was the beginning of the spring semester of 1954 and when the plasma first saw a young woman occupying her dormitory during her illness - later Nancy Hunt, later Nancy Hunt Steiner became a plaque Let's take a closer look at Ariel by writing a short memoir about Sri Lanka's best friends, their relationship. As the story says, Hunt spent a while in Silvia's room. And I felt that the previous resident was "ghosted". Thanks to student talent and attempted suicide, Plath is a legend of Smith. According to Steiner, "... as time goes on I am getting more and more familiar with Plath's legendary details while guessing gossip by mentioning her name."
According to this theme of Sylvia Plus - We need to discuss more about Silvia Plus - we are American poets, plus Lowell, and Sexton and Berryman about snow. Degras started a poetry repentance model in the 1950s and 1960s. In particular, Lowell 's "life research" has had a significant impact on the late poet for a long time. In short, confession 's poetry is very personal, written in' I ', autobiography is more frequent. Today's young American poets may think that poetry is confession to the Lord owing to the work these poets did in the middle of the century - but the genre of confession is a diary that becomes a mere published book It is not. These are works created as professionals exploring the new fields of British poets: abuse and trauma, depression, personal relationship, mental illness