suspense

About the results of books, movies, etc., or climax of excitement and expectations of happy emotions

(Law) temporarily suspend the right; stop the land rent or other interests from ceasing to occupy the unity of land and rent

I have a related question about "musical suspense". How can people feel the suspense of healthy movement that is well understood by a single person? Unlike paradigm suspense, music suspense usually has no fear. Therefore, it is explained as mere tension. Given the controversy over the nature of the reaction of music, this article will cover only the paradox of suspense in the story art. I consider four different solutions to the cliff paradox: (1) the theory of uncertainty in entertainment, (2) the theory of frustration, (3) the theory of instant forgetting, (4) the misunderstanding of feelings. The theory of recreational uncertainty explains the paradox by denying that suspense needs real uncertainty, but what is needed instead is involving audiences in the novel. To be determined

Cognitive psychologists Ortony, Clore, and Collins proposed a useful suspense theory. This is called a standard description. They believe suspense is composed of fear, hope, and "uncertain cognitive state" (131). They define fears that they are dissatisfied with the likelihood of adverse events; they want to be satisfied with the likelihood of an ideal event. In the standard explanation, people are worried that they are concerned about bad results, hope to get good results, and do not know which results will be reality. In real life, we may feel uneasy while walking in the evening with unfamiliar, dangerous communities. I am worried that we may be deprived, I hope we will be safe, and we do not know what will happen

Interruption of desire - The theory of frustration believes that frustration of a strong desire to influence the outcome of future events is necessary and sufficient for discontinuation. To feel uneasy, people have to care about the outcome - it must have a strong desire to make people want it. Moderate desire is impossible. At a certain level of intensity, the intensity of desire may reach the level required for suspense. Returning to the example of a white shark, this frustration theory becomes clearer. When a woman swims sweetly, Spielberg gives the audience an important message that the hero hides. There is a shark below. Spielberg is effectively looking to the audience and inviting them to participate in the story. He asked, "What do you think will happen now?"