Surrealism transcends the reality of the surface by trying to interrupt a rational, aesthetic, or moral rule, usually conscious or logical, to enable the expression of potential mind and emotion Including reality. If this literary skill succeeds, it accepts the imaginative aspect of the great creation of the writer and provides an incredible suspense to the audience. Franz Kafka's "Transformation" and Edgar Allen Poe's "Red Death Mask" are two examples of Surrealism.
In his revolutionary essay "Surrealism Manifesto", a top propagandist Andre Breton, a poet and a surrealist, explained Surrealism as a solution that looks like a dream and reality on the surface. The contradictory state is "absolute reality, a type of surrealism". . According to this definition, surrealism seems to be an appropriate means to express blacklife trauma.
Surrealism is often associated with art, but it is said to transcend them; Surrealism has influenced many other areas. In this sense, surrealism is not only a self-recognized "surrealist" but also sometimes refers to sanctions of Brittany, but efforts to release a series of creative rebellious behaviors and imagination . In addition to Surrealism's ideas based on Hegel, Marx, Freud's thought, Surrealism is considered by its supporters to be dialectic of internal dynamics and thought.
Surrealism is often classified as a kind of contemporary art. However, Surrealism himself opposed the study of Surrealism as an era in the history of art, arguing that it overly simplifies the complexity of the movement (distorting the relationship between surrealism and aesthetics) And erroneously characterize the ongoing surrealism as a perfect historically closed era. Modern art foresees some functions that are defined as postmodern art later; in fact, the movement of modern art like pop is often divided into modern and postmodern. Art For example postmodern art generally emphasizes satire, imitation, and humor, modern art begins to form a more sarcastic art way later developed in the context of postmodern.