Surrealism Of The Temptation Of Saint Anthony

During the period from World War I to the Second World War, many people believed that the reason caused the destruction left by the war Now the time to rely on subconscious to analyze the world It was. These people are called Surrealists. One of the most famous surrealist artists is SalvadorDalí. Dali's work "The temptation of St. Antonius" is a model of Surrealism. Surrealist paintings are expressed as fantasy like a dream. Most of Dali's paintings are the images he dreamed of.

The temptation of St. Antonius is a triptych of about 1500 years using Oak's oil painting. The size of the central panel is 131.5 cm x 119 cm, and the size of the side panel is 131.5 cm x 53 cm. The closed trilogy shows various temptations, attacking Christ when he moves to Kal. The open trilogy depicts the three stages of relief of St. Anthony and was attacked by temptations like devils and Christ until he found relief as a hermit. It is in this central group that describes the temptation against Saint Antonius and the devil's attack. This scene depicts many monsters and sacred gods, like black lumps in progress. One of the most famous monsters attacking the audience here comes from the popular devil recorded in Saint Anthony's Legenda Aurea (or "Golden Legend", the early version of the saint's life).

The new exhibition of AIC depicts the artistic path of James Enso for an important decade from 1880 to 1890. The temptation of St. Antonius (1887) is the center of an attractive AIC exhibition: James Enso's devil. In this view, Enzo's various works include oil, charcoal, ink, paintings, copperplate and so on. The story began in the 8 exhibitions throughout the exhibition, starting with Ensor's oil painting before and after the temptation of Saint Antonius. These images are not only indicative of Ensor's interest in light, color, experiments. But they also represent a repeating theme ::, mask and a strange carnival scene

A wonderful painting complements the painting through the exhibition and shows how Bosch gave his own imagination in his preliminary survey. This wonderful single contains a positive seductive study of St. Anthony's (about 1495-1505 years) and a monster on the other side of the cavalry. The front view of the photo shows Bosch rethinking the temptation of St. Anthony's San Antonio Trio (about 1500-5). On both sides of the drawing are attractive concepts of various mixed monsters of Bosch. He carefully studied them before expressing them in paintings.