Summaries of Death and the King’s Horseman and Streetcar Names Desire

Soyinka and Williams use their main protagonists Blanche and Elysin as victims of their delusions by showing them how they live in their own world though they are their reality. Why do not they listen to what others say? These two roles seem to be somewhat unstable, and their endings are unpleasant. Sometimes these roles are completely different and their lives are juxtaposed. Blanche and Eresin are very similar because they all enjoy beautiful and expensive lives when their dreams start.

Tennessee Williams' drama "Desire Streetcar" contains a lot of content, context, and stories on the streetcar than it is displayed on the surface. John Krutch, author of "20th century interpretation of a tram called desire", wrote as follows. "The view of the author is still subtle and delicate ... The last impression is that surprise is not sensational, but rather subtle" (38)

In various ways, desire is described as a destructive power of a tram called desire and shame. In "Desire trams", this type of destruction took many forms, including death (expressed by Allen's suicide) and the disappearance of the reputation of "Southern Beauty" that was previously anticipated. Blanche tried to secure promises, contacts, and safety through sex exchanges. This is the pattern of her life, she has never seen a malfunctioning or destructive pattern. Shame shows the desire to be power again

Tennessee Williams fantasy and fantasy is called "Desire Street Car" in Tennessee Williams 'Desire Street Car' exploring many important topics and problems in books. The theme of Williams' audience survey and exploration is fantasy and fantasy. Every character in this book helps to create, add and destroy fantasy and fantasy, but I think this is a very important topic in this book. Other problems Men and women usually have a dominant character. Women may be men, men are more than women, or the true definition of marriage is an equal partnership. In Tennessee Williams' s play "Desire Streetcar", Stanley is clearly a dominant figure beyond Stella. Through the play there are many examples of the power he has. Williams stella