Stylization of Film and the Enhancement of Narrative through Cinematography, Mise-en-Scene and Editing

The juxtaposition of still frames is edited together to create a dynamic image of the story. There are many colleagues in the movie. There are story plots, plots, characters, photography of scenes, editing. Based on these counterparts and a carefully organized way to express the story, understand the story and see if each counterpart contributes to the story in an important way to make the whole movie . How do the editors contribute to the story of the movie?

According to Graham Roberts and Heather Wallis (2001), building a movie language has three elements. This is Miséen (content to shoot), movie shooting (shooting method), and editing (how to organize these materials). These clearly distinguish the meanings of these three elements. The difference between film photographs and scenes is that film pictures are a type of photograph and they can completely determine the position and location of the camera before taking pictures. Therefore, what is placed in front of the lens is the so-called Mie Zen scene.

When applied to a movie theater, mise-en-scène refers to everything that appears before the camera and its placement - combinations, sets, props, actors, costumes and light. Picture photography and editing of movies affects fidelity and reliability as well as "Misé Anscien", as well as the eyes of the audience. The various elements of the design help create a vision of the movie by creating a feeling of time and space, setting emotions and sometimes showing mentality of the character. "Mise-en-scène" also includes compositions including placement and movement of actors and things in the shot. These are areas that the supervisor oversees. One of the most important people who work with the director is a production designer. Before actual photography started, the two had perfected every aspect of "pretense" for a long time.