Strong Shadows

Dr. Zuger believes that she chose the person she chose because he is trying to get a number of infections that the patient may be infected. It also shows similarity of patient lifestyle and growth similarity. The lifestyle must live so that you can take higher risks to endure this terrible disease. All of these personality seems to come from a family with little love from their families. Or, in everyday life there are major drawbacks that may lead to a lot of stress that normal people do not experience.

Just like yesterday's awakening, today's weather was sunny, we went to the grocery store, saw the people wearing the clothes, and saw the children led by the father. In the strong sun of the evening, when a thin veil fracture between strong shadow and life and death began, the two children suddenly changed their direction when I went to the center of the parking lot, I raised my sunglasses I laughed.

'Aftaab' or 'sun' captures a part of the visual strength of this short film. As if you are crossing the mountain, the sun of Badakhshan is unforgettable from the strong noon light to the afternoon shadow. Like the Badazichan's afternoon sunset and shadow, I hope that this film will lead a bitter life in such harsh areas.

First of all, not all natural light is equal. For example, at noon on a sunny day, a strong shadow and a strong blue light are lit. However, on a cloudy day, taking a portrait at noon will cause the cloud to filter the sun, making it look softer and more pleasant. In many ways, it's pretty easy to get a nice head shot. Because the lens frame is tight, the background considerations are not that much. It is not necessary to think about the composition of the lens. Just put the human face in the center frame.

With very few auxiliary lighting methods, there is a strong contrast between the brightest part and the darkest part of the image, and in many cases there is a strong shadow that obscures part of the main part. This lighting scheme is associated with "intense boiling" or suspense type like a black movie. Below are some examples of Touch of Evil (Orson Welles, 1958). If an important element of the image is near the camera and away from the camera, the movie will use the deep space. In deep space, these objects need not be focus. This is a decisive feature of deep focus. Staging in deep space is opposite to staging in shallow space. Many Iranian films use a deep space like the color of paradise (Rang-e Khoda, 1999).