Leslie Marmon Silko used spotless and spotless ideas in her book ritual. An attempt to become spotless is that Laguna is trying to be part of a white society and is therefore separated from the roots, traditions, beliefs, rituals and customs of the Earth and the Native American . It makes the white society believe that it can somehow improve you. This is a destructive change that keeps people away from the earth. This is to change, specify and name everything, and to make you wonder about your beliefs.
Acclaimed novelist, poet and essayist Leslie Mamon Cirko are known for empathic treatment of Native American themes. Born in 1948 by photographer Lee Marmon and his wife Mary Virginia Leslie, Marmon Silko is a tradition of Laguna Pueblo, Mexico and American American. Her mixed ancestors influenced her work in myriad ways. Marmon Circo grew up at the edge of Laguna Pueblo's book, and the earliest experience was positioned among cultures. In an interview with Alan Velie, "I am a mongrel dog, but I know Laguna," Mormon Silko deepens her relationship with her tribe through her book. And the tradition of storytelling. In 1974, she announced a collection of poetry called Laguna Woman. Marmon Silko also acknowledges the impact of family stories on her approach and vision. She began in the late 1960s and is considered to be a major contributor to the American literature and art renaissance.
In the evolving traditional novel "Ceremony", Leslie Marmon Silko wrote an article about Indian veterans and his struggle to cope with the pressure of war. By the early stages of the novel, Cirque revealed some rituals performed by the Laguna Indians. One of these traditions is a ritual experience that they experience after searching for animals to express their appreciation for animals, in this case a deer. Other Laguna traditions include rain drafts during the draft and various other rituals. After returning from war to the traditional medical scientist, Kuosh tried to heal Tayo's war, but his warrior ceremony was outdated and failed. So he introduced him to another medical scientist, Bethney.
As an important person in the Native American Renaissance, Leslie Marmon Silco combines stories and rituals to form a story of cultural resistance and identity. After returning home from the Second World War, Tayo, the hero of the ceremony, experienced post-traumatic stress disorder just because his mixed identity was more complicated. Throughout his life Tayo's treatment tour, Silko imitates Native American ceremonies and regains the power of indigenous identities.