Split Sides an Analysis of Modern Dance

"Everyone knows that only my generation is still a child." George Norrin's remarks stimulated cultural exposure. How is African dance related to contemporary dance? Because these two are very heterogeneous, I do not think one is similar. However, in fact, every form of dance is linked in some way, all of them are strengthened and refined with each other. What underlies modern dance is African dance, focusing on the relationship between weight and weight.

Cao Housheng remembered that he was studying modern dance in the USA and his teacher never told him that he is studying modern dance of "American style". Instead, she told him that he is "studying contemporary dance, that is about individuals ... not about nation, about culture". His view is that modern Chinese dance is influenced by Taoism thought and ancient tradition. Fu and Tai Chi. As we all know, the Chinese government suppresses individual expressions through art and usually marks this expression as being destructive. However, Cao Cao maintains politics without interfering with contemporary Chinese dance. Unlike the United States where contemporary dance is often used as a platform for discussing social issues, Tsao claims that his students produce works based on their private life. "There is no one who dreams of overturning the government or doing a destructive job," he insists.

Shen Wei, the co-editor of the opening ceremony of the 2008 Beijing Olympic Games, Shen Wei, Chinese modern dance was born out of American modern dance movement, but Chinese artists are According to His contents who are thinking that they are creating in "they find" their own voice and vision "," they have experiences peculiar to their own history and culture, and inspire and material to their dance I was looking forward to "incorporating it." They are not interested in other works on Graham's Martha (one of the pioneers of contemporary American dance). "They did not repeat what Americans said in the 1920s and early 20th century, they are now solving their problems in China."

Modern dance is a free and expressive dance that appeared outside America and Germany from the late 19th century to the early 20th century. This style of dance arrived in China for the first time at the end of the 19th century when Chinese French ambassador Yu Rongling studied in Paris with Isadora Duncan, a modern dance pioneer. Yu brought the contemporary dance to the Chinese court, which was not fully occupied and was immediately squeezed out by the government to support ballet, folk dance and traditional opera.