Speeches (Lines) for Volumnia in "Coriolanus" Total: 57

The dominant passion of & lt; Tab / & gt; Volumnia is anger. She insists that 'anger is my body, I will support myself', but she is also clever. As I said to Coriolanus, she said "There is a better way to guide me to use an angry brain." Coriolanus 'anger can not be ignored, but Volumnia' s anger is not. Likewise, Volumnia can become a political creature if necessary, and her son is not politically conscious, and rejects any part of the concept. At the end of the script, Volumnia "fulfilled politics" with her son to rescue her beloved country. She told Corio Lanus that he would have to cross her body before he attacked Rome. She was also proud of her honor and said he would always be remembered as a traitor if he attacks his country. No one else in Rome was able to achieve this goal, but Volumnia successfully shook her son and proved that she is a stronger personality between the two. She physically lost Coriolanus, but she saved his reputation.

Caius Marcius Coriolanus proved that Volumnia can not learn how to try to teach him political liquidity. He told Coriolanas that he had won the glory from a childhood in a dangerous way, but he told the child, "I am very happy to ask him to look for dangers in the place I was seeking fame" . In search of the courage through swords and scars, become highly skilled soldiers and win honor in at least 18 fights. However, when "in the spirit of darkness lying on death, nervous arm" his mother's nuance or ambiguous space is small. He has seen that his enemies and friends have dominion over life many times. It may be. Nobility is power. The country is higher than myself

Volumnia is the role of William Shakespeare as Coriolanus, the mother of Caius Martius Coriolanus. She played an important role in the life of Coriolanus, encouraging them to achieve military success and encouraging them to seek a political position. When the Romans left her son exile and made them join their military enemies, she persuaded him not to besieve Rome and managed to become a heroine of the city. The scholars noticed her thorough control over her son and her influence on the attitude of life during the play. Volumnia does not nourish, but constantly urges her son to move towards the attack. Psychoanalysts even suggested that she protected him as if she were her sexual partner and even let Coriolanus's wife be moved away from him. As the focus shifts from men to women, the character's performance changes over time. In a romantic era she was drawn as a solemn and calm woman. Recent roles made her more emotional