Sound Effects

Since music is described as a powerful tool for communication and expression, selection to listen to personal music directly affects how the brain stores and interprets the information. Musical influences on decision making, psychological development, mood and overall condition tend to be overlooked by most people, but marketing companies and educators all over the world have done extensive research. Since the kind of music such as classical, jazz, pop, rock, metal, hip hop, gospel, independent, etc. directly affects happiness of people, screening for harmful attributes is necessary.

In film and television production, sound effects are sound recordings and rendered sounds used to create specific storytelling or creative points without using conversations or music. This term usually refers to the process applied to recording, not the process applied to the recording itself. In professional film and television production, conversation, recording music, separation of sound effects is very obvious. In this case it is important to understand that recordings of conversation and music are applied but not called sound effects. Their process such as reverberation and flanger is normal

Foley artist is a person who produces post synchronous sound of movies. These effect sounds are recorded synchronously with the image, mainly body movements, footsteps, or object manipulation. The most common reason to record these effects in real time is that when a conversation is deleted and replaced with a foreign language version, such sound is lost. Unreasonally recorded sync effect sounds can also be replaced with stupid effects. Foley artist is also known as Foley Walker. Foley was named after his early Hollywood sound editor, Jack Foley, his first famous practitioner.

Dane A. Davis is responsible for creating sound effects for movies. Effect sounds of battle scenes such as whaling of boxing are created using thin metal bars, edited after recording. The sound of a pod containing a human baby's closure needs nearly 50 tones to be combined. Movie scores were created by Don Davis. He noticed that the mirror frequently appears in the movie: Morpheus glasses have blue and red pill reflexes; Neo catches the agent through the rearview mirror of agent Tritrich Triumph Speed ​​Triple; Neo broke Mirrors repair themselves, the reflections are distorted when the spoon bends, and when you approach the skyscraper you can see the reflection of the helicopter. When creating the score, Davis focused on this reflectionistic theme, alternately using various parts of the orchestra, trying to integrate the opposite idea.