Some Recent Reports about Robin Hood Might Be Wrong

The legend of Robin Hood became a family story in the UK and many other countries. Saxon 's nobility who was hidden in the Sherwood forest in central North England' s forest took down his band "happy people" to rob the Norwegian, brought many TV programs and movies to the poor (1). Robin Hood: Unknown Templar, a new book by John Paul Davis, and other recent reports that Robin Hood is said to be in fact not as wonderful as it is actually portrayed.

Robin Hood is a hero and quite different from those who live on taxes. Americans need more Robin Hood; heroic criminals representing them oppose socially accepted mistakes. Perhaps modern Robin Hood does not stop tax modifications, but will branch to fight other authoritarian acts.

Robin Hood, a series of legendary gangster star heroes of British folk songs, some of which dates back to at least the 14th century. Robin Hood is a rebel and most of the most convincing events in his story shows that he and his colleagues deprived and killed authoritative representatives and brought benefits to the poor . Their most common enemy is the local government agent of the central government Nottingham Sheriff (the evidence of the initial ballads clearly shows that the actions were performed mainly in South Yorkshire, not Nottinghamshire) However. Other enemies include wealthy church landlords. Robin treats women, poor people and humble people carefully. His great resilience to authority arises from extensive dissatisfaction with the Forest Law restricting hunting rights. Early folk songs, in particular, reveal cruelty, it is an inevitable part of medieval life.

Many of the most famous Robin Hood folk songs were from the Middle Ages, but there is a core that can be attributed confidently in the Middle Ages. These are Robin Hood and monks, Robin Hood and Gisborne, Robin Hood and Porter, and Robin Hod's Lytyll Geste. Since the 16th century, the basic characteristics of the legend have been distorted by proposals of Robin 's depraved nobility, playwrights who were eager to adopt this new element increased the romantic appeal of the story, I was robbed of their social bites. . Postmodern folk songs (which Mary Marianne, a member of Robin) also lost most of their vitality and poetic value as they lost their original social impulses and made them to exist.