Soiling of Old Glory: Photograph by Stanley J. Forman

Despite the law which abolished apartheid before the incident occurred, Americans are still violent intentionally in public places due to ethnic tension. Many people believe that any progress made by the civil rights movement in the 1950s and 1960s has not achieved its goal of achieving racial discrimination and apartheid. The fact that they brutally suppressed innocent black men showed that the protesters were not only disappointed at school apartheid.

Please take this historic photo. In 1976, Boston-based pioneering American photographer Stanley Forman grabbed a white student, Joseph Lakes, during a protest against the apartheid by the Boston school. The American flag stabbed the Tedland mark. He is a 29 year old black lawyer at Yale University. My nose is broken. It is Landsmark. He was 70. He was able to see the ethnic tension that occurred in the city which is only one and a half hours away from my university - the city once boasted the most successful school integration project in this country. The pain is that in the city, people I like are called houses -

Does anyone forget the 9-year-old scream of 1972 Nick Knight who escaped from the Napalm bomb in South Vietnam? How is the picture of evacuation in Boston by Stanley Foreman? Does this picture show that a 19 - year - old woman and her daughter are struggling on the ground? Or the images of Kevin Carter's unforgettable Sudanese children are unforgettable, because vultures are waiting in the background? All three images that won the Pulitzer Prize brought about a change. American people finally began to feel the influence of the American army in Vietnam far away. Let's be "national anthem" anthem. Fire evacuation in major cities such as Chicago, New York, Detroit will soon be inspected for stress failure. "What happened in Boston - is it happening here?" In countries where there are few international news, the world is awakened to malnutrition. As a photojournalist, we react at the moment from the church and take pictures.

Seven years before Stanley Foreman won the Pulitzer Prize, the war photographer Adia Dance received the award of his iconic photograph. As in the case of Foreman, Adams never expected such a dramatic and horrible change in this situation. As Adams told in the video titled 'Unlikely Weapon: The Story of Adi Dance', he was on Saigon's part of China on the second day of the Spring Festival's attack. He saw a man wearing a plaid shirt being taken out of the building from the street. He saw what happened and followed it. Even though a man in a military uniform was hitting a gun at the head of a plaid man, he was not surprised or shocked. Adams interprets this act as a means of intimidation used as part of interrogation.