Soft Construction with Boiled Beans, 1936 by Salvador Dali

Dali represents the fear of Spain's civil war. Dali already claimed that he painted the picture six months before the Spanish Civil War began and already knew what war was about to happen in order to gain the power of the prophet for "subconscious prophecy". After the war, Dali may have changed the name of the picture to prove the quality of the prophet, but not entirely certain

This picture is currently in the Philadelphia Museum of Art. Dali painted it in 1936, but the research discovered it dates back to 1934. It is a picture of geometric monster type creatures and is connected to similar monsters. These two creatures seem to be two parts of the same creature, so they seem to be working on it. Part of the background and monsters are cooked beans that seem to melt. The monster stood in a tree and a brown wooden box. The background is blue sky with clouds, part is dark, part is bright

In 1937, Catalonian Catalan secessionists and his wife Gaara were involved in a massive strike, causing an armed uprising, which may have influenced the theme of his Spanish civil war. Dali and Jura had to escape to Paris, where they actually got married. Dali and Glass hired an escort to take them to Paris, but due to the pressure from the Spanish civil war, the escort died on the way. When Daly finally arrived home, his house at the port of Ligut was destroyed by the war. Since his friend was executed in war, his sister Anna Maria was imprisoned and tortured and he was greatly affected.

Salvador Dali's paintings are eerie, strange and very detailed, the most prominent depiction of unconscious thinking. Dali expressed this savage arrest as "a huge human body that explodes the scorpions of huge arms and legs in huge self-destructive bondage." Here, frown the ecstatic face of this person, thinning the muscles of the neck, and petrified fingers and toes are creating a disgustingly attractive vision.

However, although Dali made an independent declaration on human imagination, it could still be said that he wrote it in the best way in an effective way. In 1936 his "soft structure of boiled beans - civil war premonition" is one of the most special documents of his date, reflecting all the savage acts of the following Spanish Civil War. However, Dalí is not always in the best shape, and in the next few years his best outcome will be elusive. An advantageous but foolish concern occupied most of his time. His flexible intelligence seems whispering in a vacuum. Even if Dali never stops having a wonderful idea of ​​a position as a live artist or his mission as a ransom for contemporary art if his fantasies are universally applied, they are increasingly commercialized It became a problem of. ('' 45 years old, 'he wrote in 1948,' I would like to draw masterpieces to protect contemporary art from chaos ''

El Salvador produced this art work six months before the Spanish civil war. Because of his prediction, the rumor said that he knew the war in advance. Soft architecture of cooked beans made it possible for people to see Salvador Dali's anxiety psychology. And it was disturbed by terrorism and violence caused by the war. This picture shows that two creatures are fighting each other violently. Pre-cooked beans represent poor people arrested in war. This is another job of Salvador Dali due to civil war concerns. This painting was inspired by Freud's theory, which awed Dali in awe. Pull out thighs can be traced back to the psychoanalytic method of Sigmund Freud. Mr. Dali explained that the burning giraffe is a "monster at the end of the male universe" symbolizing war.

Distortion in the form of Dali can also be seen in his oil painting "soft boiled tofu: the beginning of the civil war in 1936". This artwork is a depiction of the Dali against the Spanish Civil War. The background consists of beans scattered in the foreground and barren desert. The main focus is a monster-like creature that kills himself with broken limbs. There is a large square next to the table, so the audience can only see the blue sky from the background. Meat is muscular in one place, rots in other places, the face represents a distorted depiction of Dali himself. The chest also protrudes from the shape, the tongue is hanging on a part of the figure, adding a special surreal quality. This shape seems to be balanced with an unrealistic small cabinet. This strange figure creates great pain and pain through muscle distortion and distorted facial expression.