Social Criticism in Laurie Simmons Early Color Interiors

Artists of generations from the 1970s to the 1980s reigned photography, video and performing arts with the new generation of artists and rejected the world heritage of men-dominated paintings. The desire to find a new aesthetic that suits the change of American culture has come to express ourselves with the directness of the picture. The most influential member of this group is a woman worried about traditional gender representatives in the media and movies.

Laurie Simmons (American, b. 1949) is a photographer living in New York. She holds a Bachelor of Arts degree from Taylor Art University in Philadelphia, Pennsylvania. Simmons is widely acknowledged in the performance at the toy's house. In the toy's house, usually place dummies, dolls, objects on the feet to explore the domestic areas. These Michelsen well show the lighting characteristics of movies and theater sets, interrupt faith and seek spectators and fantasies and participate in novels.

Artist Raleigh Simmons creates a beautiful and uneasy world through practicing complicated and meticulously careful pictures and movies. This spring, Simmons held a special project called Raleigh Simmons at the Jewish Museum. How do you see subculture of "doll girl" that changes even with makeup, dressing and cosmetic surgery? It looks like a Barbie doll, a doll, and an animated character. Simmons has been fascinated by the world of imagination and miniatures for a long time. Doll house of the interior decoration of the initial color (1978 - 197), man trafficking in the clothing manufacturing industry - (1990 - 92))

Laurie Simmons is an award-winning photographer, filmmaker and writer. Recently, she received the 6th International Photo Center (ICP) Focus Award. This is to evaluate the achievements and contributions of women working in photography and movies. During the event, Rory, actress, writer, singer Molly Ringwald made an active conversation at the stage to discuss creative processes as to whether maternity affected the aesthetics of art and loneliness . Raleigh: I came to New York in 1973. Concept art, process art, and video just opened. My very formal and rigorous art school education - production of prints, paintings, sculptures - seems not to be a problem. Concept art actually people pick up the camera. I think "camera - probably this is an interesting tool."