Slough by Sir John Betjeman

Sir John Burger Man's poem, Slaw starts with a wonderful, dramatic festival. There is great tension between the idea of ​​cattle grazing and the idea of ​​death. Even if there is a contradiction in the opening line, "friendly bombs" are rarely considered friendly, and Betjeman's use of this is a contradiction as it defines a bad place. Another tool used by Betjeman is the rhythm; the section proceeds at a stable predefined speed until the last line of the rhythm breaks, which gives a powerful image of Slaw.

Sir John Burgerman (1906-84) became a British poet in 1972. As a young man he was taught by T. S. Eliot for a while before coaching Oxford where he was coached by C. S. Lewis. By the early 1950s, Betjeman became his comment on famous journalists, essaysist and poet, April 2, 1954 on "Fahrenheit 451", London Daily Telegraph in March 1954, British hardcover It was. The success of this version's release played an important role. . Betjeman's strong admiration for cultural criticism of 459 Fahrenheit is more open in the UK and the fear of the Cold War has less impact on the publishing and literary markets.

Sir John Bezeman (CBE) is a British poet, a founding member of the Victorian society and an ardent defender of Victorian architecture. Betjeman's writing may have never practiced the subject himself, but it was heavily influenced by his architectural love, but his "first and last love" of 1972 (1952) And more extensively in London. The station in history wrote this theme. When writing poetry, Betjeman spent a lot of time protecting historical Victorian buildings such as Holy Trinity at Sloan Street and Euston Arch at London.

British poet, broadcasting station and architect writer John Bergman was born on April 6, 1906. As architecture was always his main concern, people want to say that Betjeman said he is an architect's mask and an unexpected poet. He wrote many poems related to Christianity. His poetry is often humorous, and this exceptional quality is accepted and eventually becomes popular. The character of Betjeman's poetry is ironic. Betjeman uses satirical works to convey his views on topics such as hypocrisy and egoism in society.

The last poem, John Bergman's Slough, is the only poem to criticize modernization. This is, this broad industrialization, how the small towns and villages in the, a decadent fixed ideological, is a comic critique written in a serious tone about what change in the ugly outskirts of town. This is the only poem with a regular rhythm and a regular system out of the four, which only increases the tone and criticism of the cartoon. In general, the four poems all seem to be deeply affected by the change that surrounds them, and it is clear that the modernization of the industry has had an impact on art. Using these four poems as an information source seems to be very attractive for poets that modern things eventually become part of everyday life. Please look at the reaction as simple as the reaction at the time.