Songs and songs I went to grandparents' house to see grandparents get absorbed in this "jazz" music. He explained to me that it is not jazz unless it can swing like a great man. A few days ago I heard the song "Sing Sing Sing" from jazz music my grandfather gave me to me and found that they are full of energy and enthusiasm for this music. He explained to me that it is all made of a man named Benny, and I understand the reason. Benny Goodman, born in Benjamin David in 1909, was one of 12 children who grew up with his family in the slums of Chicago and his family ran away from Russian anti-Semitism It was.
Even now, even after more than three quarters of a century, people can listen to their IKEAPoäng comfortably and take them without obligation. Good guys, Kurpa, James, Stacy and the wonderful "singing, singing, singing" working in the hands of friends are the feelings to hear, but the most important thing is that all new ears play through it. The performance of "Once in a lifetime" was recorded, but it was not retained. Give life. It is blessed with infinite possibilities as it is executed permanently and repeatedly. "Drama" with major orchestra members is always as fresh as Carnegie Hall. They used skills and dexterity to play Louis Prima's melody and rhythm many years ago. , You will always be there
Jess Stacey 's piano solos of' Sing, Sing, Sing 'are also representatives of Gadamer' s game play, which also poses a risk, but there is a modest wisdom not found in spectacular solos of James. This is not to reduce James' solo but to understand that Stacy has brought another dimension to 'singing, singing, singing'. "Stacy's" singing, singing, singing "approach is completely different from many other soloists in the concert, and there are differences in emotion and content. Kurpa James used this work as a tool for projecting their jazz characters, but Goodman and Stacy 's improvisation encouraged and encouraged the audience. "
Starting from "Singing, singing and singing", Gene Krupa played a fast and big jungle sound on his floor, set the rhythm with a bass drum, a famous snare drum and a high resolution hit. With his hi-hat pulse and cy 钹 crash. A few seconds later, brass came. First, the trombone plays a stable triple hook, and the horn arrives in seconds. Next, there is a saxophone and a rotating melody, which expresses Krupa's important hit rhythms more smoothly. Goodman's clarinet sets the rhythm through the rhythm of the parts of the Kurpa and brass, then wears a high pitch sound that sounds like a cosmos, enters the battle, and in the short breathing space the wind engine breathes, The sound is highlighted. Then and then plow the routine