Silent film encounters the transceiver: The short history of California Governor Leland Stanford requires visual evidence to win the bet he is eagerly waiting for. Governor Stanford is convinced that at the same time in their pace, four hoofs are away from the ground at the same time. After hiring an unknown photographer, the governor brought a chief engineer of the South Pacific Railroad, John D. Isaacs, to see the situation. When the horse ran away Isaacs decided to install a magnetic emission system to operate a total of 12 cameras, a total of 12 cameras (Everson, 17).
Silent movies were popular in the early 20th century before technologies to pair audio with movies appeared. In the mid-1920s, a technology to create "sound movies" was developed, and movies paired with audio became increasingly popular (Hasumi 319). Films and videos are synonymous with "Sound Movie" now, but there are still quiet movie places in the media and culture. One way to save a silent movie is to shoot a tragedy. The attack on the World Trade Center on 11th September was filmed with a recordable digital camera but when the audience saw two hijacked aircraft bypassing skyscrapers, silence He was hard of hearing. Likewise, the video of the atomic bomb dropped in Hiroshima and Nagasaki during World War II was a terrible silence (Hasumi 327). In either case, we can not grasp the weight of the tragedy. Dramatic visual effects speak for yourself
Early quiet films were filmed late, projection was fast, and clumsiness and acceleration of our memories were created. As soon as the sound movie arrived and during the majority of the 20th century the film was filmed at the same speed and projected. The standard refresh rate for movie-based movies is 24 frames per second and our idea is to interpret 24 still pictures per second as a single dynamic image. Considering this medium, it is clear that "Avon Vincent" returns to a faint "flicker" of 12 frames per second. Gap enough to prevent the mind from buying dynamic illusions